Biography
Throughout his long career, Bob Wilber did too much to keep classic jazz alive. A little misplaced (many jazz players of his era were a lot more thinking about bop and hard bop), Wilber (alongside Kenny Davern, Ralph Sutton, and Dick Wellstood) was mostly of the in his generation to adhere to pre-bop music. In senior high school he shaped a music group that included Wellstood, so when an adolescent he sat in at Jimmy Ryan’s membership in NY. In early stages he became Sidney Bechet’s protégé and led his very own youthful group, the Wildcats (with whom he produced his documenting debut). The close association using the prominent Bechet resulted in a tiny personality turmoil in the 1950s as Wilber searched for to get his own tone of voice. He researched with Lennie Tristano and shaped the Six, an organization that attempted to modernize early jazz. When that finished, he performed Dixieland with Eddie Condon, and in 1957 became a member of Bobby Hackett’s music group for a season. Wilber freelanced through the entire 1960s, in 1968 became a founding person in the World’s Greatest Jazz Music group, and in 1973 he shaped Soprano Summit with Kenny Davern, among the best swing-oriented sets of the 10 years. A couple of years afterwards the band split up and Wilber teamed up along with his wife, vocalist Pug Horton, in Bechet Legacy (which also highlighted either Glenn Zottola or Randy Sandke on trumpet). Furthermore, Bob Wilber spent some time working with the brand new York Jazz Repertory Business, released music by himself Bodeswell label, had written the genuine soundtrack towards the film The Cotton Membership (1984), in 1988 led a music group at Carnegie Hall to celebrate the 50th wedding anniversary of Benny Goodman’s well-known concert, and authored his frank memoirs, Music HAD NOT BEEN Enough. Inspired on soprano, clarinet, and alto by respectively Bechet, Goodman, and Johnny Hodges, Wilber provides long got his own audio on each of his musical instruments. He recorded often over time for many brands, including Arbors within the ’90s and 2000s.
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Music Department
Music Department
Title | Year | Status | Character |
---|---|---|---|
Bix | 1991 | music adaptator/arranger / musician: clarinet; saxophone | |
Brighton Beach Memoirs | 1986 | orchestrator | |
The Cotton Club | 1984 | music re-creation |
Soundtrack
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
Tucker: The Man and His Dream | 1988 | arranger: "Song of India" | |
The Cotton Club | 1984 | "The Mooche", "Drop Me Off In Harlem", "Creole Love Call", "Ring Dem Bells", "Truckin'", "Cotton Club Stomp #1", "Mood Indigo", "Daybreak Express Medley" |
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