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Bob Neuwirth

While he’s won a loyal following for his own music, singer/songwriter Bob Neuwirth could very well be most widely known for his use others; like a collaborator and confidante, Neuwirth continues to be associated with performers as gifted and varied as Bob Dylan, John Cale, Patti Smith, T-Bone Burnett, Janis Joplin, Kris Kristofferson, and Peter Case. Neuwirth’s intro to music arrived while he was learning painting in the Boston Museum College by the end from the 1950s. Neuwirth became area of the Boston educational environment just like the folk-blues revival was getting into golf swing, and Neuwirth became a pal and lover of such famous bluesmen as Lightnin’ Hopkins, Mississippi John Harm, Rev. Gary Davis, and Sonny Terry & Brownie McGhee. Neuwirth used your guitar and started performing his personal material for the coffeehouse circuit, 1st in Cambridge and later on in SAN FRANCISCO BAY AREA throughout a hitchhiking trip out Western. During his times in Cambridge, Neuwirth was released to Bob Dylan by Joan Baez, plus they became fast close friends, as Neuwirth tagged combined with the budding “Tone of voice of a Era” on a lot of his early trips. Neuwirth unwittingly performed a major assisting part in D.A. Pennebaker’s documentary Don’t Appear Back, which adopted the significantly confrontational Dylan during his 1965 U.K. tour, with Neuwirth playing his real-life part as Dylan’s respected sidekick. Neuwirth also struck up friendships with Kris Kristofferson as the aspiring songwriter was spending his dues in Nashville, and Janis Joplin as she was looking for a fresh musical path after leaving YOUR GOVERNMENT & the Keeping Company. Neuwirth is usually said to possess confident Joplin to record Kristofferson’s “Me and Bobby McGee,” aswell as co-writing “Mercedes Benz,” which like “Bobby McGee” made an appearance on her behalf posthumously released recording, Pearl. For this period, Neuwirth also befriended Patti Smith, who experienced recently relocated to NEW YORK and, like Neuwirth, was living in the popular bohemians’ hangout the Chelsea Resort; he launched her towards the Big Apple’s poet community, and she later on published a poem for him, “For Bob Neuwirth,” that was released in 1971. In 1974, Neuwirth produced his belated debut like a documenting musician with an record simply entitled Bob Neuwirth, which highlighted guest performances from Kris Kristofferson, Booker T. Jones, Rita Coolidge, Chris Hillman, Cass Elliot, Dusty Springfield, and Don Everly. As the record was a industrial disappointment, Bob Dylan place Neuwirth’s present for finding great musicians to function the following season when he helped Dylan assemble the music group for his renowned Moving Thunder Revue tour, which highlighted Neuwirth as get good at of ceremonies. In the wake from the tour, Neuwirth produced a short-lived music group called Guam, offering fellow Rolling Thunder veterans Roger McGuinn, T-Bone Burnett, David Mansfield, and Steve Bottoms; although group never documented, a tune he composed with McGuinn and Kristofferson, “Rock and roll & Roll Period,” made an appearance on McGuinn’s record Cardiff Rose. Neuwirth also made an appearance in Renaldo and Clara, the film Dylan produced during the tour, where Neuwirth portrayed “the Masked Tortilla.” It wasn’t until 1988 a second Bob Neuwirth record appeared, Back again to leading, but its entrance kicked off a fresh amount of musical activity for him; between 1991 and 2000, Neuwirth released five albums, including 1994’s Last Time on the planet (a cooperation with previous Velvet Underground member John Cale), 1996’s RESEARCH (recorded throughout a tour over the USA in the homes of such close friends as Patti Smith, Bernie Leadon, and Elliott Murphy), and 1999’s Havana Midnight (documented in Cuba with composer and arranger José María Vitier). Neuwirth also managed a detailed association with T-Bone Burnett: he helped make Burnett’s 1992 recording, The Felony Under MY VERY OWN Hat; participated in the Down from your Hill tour Burnett put together from your performers who appeared around the soundtrack recording to O Sibling, Where Artwork Thou; and with Burnett created a set of albums for bluegrass story Ralph Stanley that made an appearance on Burnett’s DMZ label. The first many years of the 21st hundred years also discovered Neuwirth taking part in three main multi-artist tasks — Por Vida: A Tribute towards the Tunes of Alejandro Escovedo, Rogue’s Gallery: Pirate Ballads, Ocean Tunes, & Chanteys, as well as the Harry Smith Task: Anthology of American Folk Music Revisited. Furthermore to his profession in music, Neuwirth can be an achieved visual designer whose paintings possess appeared around the addresses of many of his albums, aswell as with galleries around the world.

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