Biography
Not to end up being confused with the U.S. sausage magnate — or American nation superstar Jimmy Dean, for example — Bob Evans was actually the single alias of Kevin Mitchell, frontman for the Australian indie pop combo Jebediah. Blessed in Perth on Oct 1, 1976, Mitchell co-founded Jebediah in 1994, therefore named honoring Jebediah Springfield, the imaginary founder from the Simpsons’ indigenous Springfield, U.S.A. The music group gained Australia’s annual Country wide Campus Music group Competition in past due 1995, gaining an appearance on the Summersault Music Festival the next year. Over the period of strike LPs including 1996’s Twitch and 1999’s Of Someday Shambles, Jebediah surfaced among the nation’s most widely used young rings, and in 2004 Mitchell released the very first Bob Evans record, Suburban Child, showcasing a far more intimate, roots-flavored aspect of his songwriting. He resurrected the task for 2006’s Suburban Songbook, released via main label Capitol and documented in Nashville with manufacturer Brad Jones.
Quick Facts
Died June 21, 2007, Cleveland, Ohio, United States
Height 1.75 m
Profession Businessperson, Restaurateur
Nationality American
Spouse Lady Victoria White, Leslie Ann Woodward, Catherine Oxenberg, Phyllis George, Ali MacGraw, Camilla Sparv, Sharon Hugueny
Music Groups Jebediah, Basement Birds
Music Songs Please Leave, Leaving Home, She's Like a Comet, Don't You Think It's Time, Sadness & Whiskey, Harpoon, Nowhere Without You, Someone So Much, Pasha Bulker, In the Strength of the Lord, Jerks of Attention, Matterfact, We're a Mess, Animal, Feet Touch the Ground, Don't Wanna Grow Up Anymore, Fall Down, Happy Tears, Don't Walk Alone, Military Strongmen, Darlin' Won't You Come?, Don’t Give Up on Yourself, Teflon, Hand Me Downs, Nuthin's Gonna Tear Me Away From You, Wonderful You, Worlds Away, Beautiful to Me, Rocks in My Head, N.D.C., Friday Come Five, Ron Sexsmith
Albums Suburban Songbook, Slightly Odway, Familiar Stranger, Of Someday Shambles, Goodnight, Bull Creek!, Suburban Kid, Car Boot Sale
Movies The Kid Stays in the Picture, Chinatown, The Cotton Club, Marathon Man, Man of a Thousand Faces, The Sun Also Rises, How to Lose a Guy in 10 Days, Urban Cowboy, The Best of Everything, Popeye, Black Sunday, Sliver, The Two Jakes, The Saint, Jade, The Fiend Who Walked the West, The Phantom, The Out-of-Towners, The Girl from Nagasaki, Players, National Lampoon's Mr. Wong, To Ride A White Horse
- Facts
- Filmography
- Awards
- Salaries
- Quotes
- Trademarks
- Pictures
# | Fact |
---|
1 |
In his autobiography, producer David Brown recounts how his partner, Richard D. Zanuck, offered the lead in Lawrence of Arabia (1962) to Evans as a practical joke. |
2 |
He has one grandson, Jackson, born in 2010 to son Josh Evans and daughter-in-law Roxy Saint (a singer). |
3 |
Father-in-law of Roxy Saint. |
4 |
Ex-father-in-law of Charis Michelsen. |
5 |
Was implicated but never charged in the murder of theatrical impresario Roy Radin, in the so-called "Cotton Club Murder." Evans, who was producing The Cotton Club (1984), had been in contact with Radin as a potential investor in the film. |
6 |
In May 2002 he was awarded a Star on the Hollywood Walk of Fame for Motion Pictures at 6925 Hollywood Blvd. |
7 |
Two of his divorces were finalized on the date of July 21st. Another two were finalized on the date of July 22nd. |
8 |
His seventh wife, Lady Victoria White, filed for divorce on June 16, 2006 citing irreconcilable differences (June 21, 2006). |
9 |
After shepherding such hits as Love Story (1970) and The Godfather (1972) to the screen, but not sharing in the profits, Evans--then Paramount Pictures production chief--inveigled Charlie Bluhdorn, the head of conglomerate Gulf+Western which owned Paramount, into allowing him to personally produce movies like the old-time moguls. Pleased that Evans had turned Paramount from a money-loser into the hottest studio in Hollywood, Bluhdorn allowed him to branch into production. Evans produced the classic neo-noir Chinatown (1974) in his first outing. The financial and critical success of that film effectively doomed Evans as production chief, as the other producers at Paramount resented his success and believed he would siphon off the best projects in the future. To forestall a rebellion, Evans had to step down as chief of production. Production designer extrarordinaire Richard Sylbert, an Oscar-winner who had received an Academy Award nomination for "Chinatown," was hand-picked by Evans as his successor. Evans was impressed by Sylbert's close relationships with such heavyweight talents as Warren Beatty, Mike Nichols and Roman Polanski. He was also impressed by Sylbert's grasp of visual storytelling. Sylbert took over as Paramount production chief when Evans stepped down in 1975. Evans' post-production chief career was disastrous, yielding only two unqualified hits, Marathon Man (1976), which he produced for Paramount in 1976, and Urban Cowboy (1980). Sylbert was eventually sacked by Paramount head Barry Diller in 1978 and went back to his successful production designing career, which yielded him a second Oscar. Evans went from debacle to debacle as his personal and professional life disintegrated. A masterful studio boss, he seemed incapable of making a success of the more picayune job of producer in a medium increasingly dominated by writer-directors and superstar actors. |
10 |
He has suffered three near-fatal strokes. |
11 |
According to his book he was contacted by Sharon Tate and asked to be her houseguest on the evening she was killed, but he had to decline. She then invited Jay Sebring. |
12 |
Apart from his ex-wives, has been romantically linked with such beauties as Ava Gardner, Grace Kelly, Lana Turner, Margaux Hemingway, Cheryl Tiegs, Beverly Johnson, etc. |
13 |
Declined offers to produce then future blockbusters Airport (1970), The French Connection (1971), and Jaws (1975). |
14 |
Accompanied Raquel Welch to Super Bowl (X) at Miami's Orange Bowl where eleven cameras were simultaneously shooting live crowd and football scenes for his movie Black Sunday (1977) |
15 |
Attended Super Bowl (I) with friend Clint Eastwood in 1967 |
16 |
Was offered the role of Monroe Stahr in the biopic The Last Tycoon (1976) (inspired by Irving Thalberg) but declined. Coincidentally, Evans had earlier played Thalberg in his film debut. |
17 |
Attended Henry Kissinger's 50th birtday party at New York's Harmony Club in 1973 |
18 |
Henry Kissinger played tennis with champ Jimmy Connors at Evans' estate, where Kissinger was a frequent VIP guest. |
19 |
Celebrity attorney Robert Shapiro celebrated his 50th birthday at the estate. |
20 |
His luxurious Beverly Hills estate, "Woodland," once belonged to screen legend Greta Garbo |
21 |
One child, with Ali MacGraw, actor/director Josh Evans. |
22 |
Was the inspiration for the Stanley Motss character played by Dustin Hoffman in Wag the Dog (1997). Hoffman emulated Evans' work habits, mannerisms, quirks, his clothing style, hairstyle, and wore large square-framed eyeglasses. After seeing the film, Evans reportedly said, "I'm magnificent in this film!". |
23 |
His 1998 marriage to Catherine Oxenberg lasted only ten days. |
24 |
Was the basis for the Robert Vaughn character in Blake Edwards's S.O.B. (1981). |
25 |
His autobiography, "The Kid Stays in the Picture", printed in 12 languages, and its film version premiered at Sundance Film Festival, Jan., 2002. |
26 |
His older brother, Charles Evans, started a women's clothing line, Evan-Picone, which was the source of much of Robert's money. |
27 |
Parents: Archie and Florence. Archie ran one of the first racially integrated dental clinics in the country. |
28 |
Had one sister, Alice. |
Producer
Producer
Title | Year | Status | Character |
---|
The White Death |
2017 |
producer announced |
|
Urban Cowboy |
2016 |
TV Movie executive producer |
|
Better Born |
2005 |
Short producer |
|
Kid Notorious |
2003 |
TV Series executive producer |
|
How to Lose a Guy in 10 Days |
2003 |
producer |
|
The Out-of-Towners |
1999 |
producer |
|
The Saint |
1997 |
producer |
|
The Phantom |
1996 |
producer |
|
Jade |
1995 |
producer |
|
Sliver |
1993 |
producer |
|
The Two Jakes |
1990 |
producer |
|
The Cotton Club |
1984 |
producer |
|
Popeye |
1980 |
producer |
|
Urban Cowboy |
1980 |
producer |
|
Players |
1979 |
producer |
|
Black Sunday |
1977 |
producer |
|
Marathon Man |
1976 |
producer |
|
The Godfather: Part II |
1974 |
executive producer - uncredited |
|
Chinatown |
1974 |
producer |
|
The Godfather |
1972 |
executive producer - uncredited |
|
Actor
Actor
Title | Year | Status | Character |
---|
Kodaline: Ready |
2015 |
Short |
|
The Girl from Nagasaki |
2013 |
|
U.S. Consul |
Kay.Fabe |
2011 |
Short |
|
Kid Notorious |
2003 |
TV Series |
Kid Notorious |
The Simpsons |
2000 |
TV Series |
Robert Evans |
An Alan Smithee Film: Burn Hollywood Burn |
1997 |
|
Robert Evans |
Superfights |
1995 |
|
Day Performer |
The Best of Everything |
1959 |
|
Dexter Key |
The Fiend Who Walked the West |
1958 |
|
Felix Griffin |
The Sun Also Rises |
1957 |
|
Pedro Romero |
Man of a Thousand Faces |
1957 |
|
Irving Thalberg (as Robert J. Evans) |
The Egyptian |
1954 |
|
Minor Role (uncredited) |
Lydia Bailey |
1952 |
|
Soldier (as Bob Evans) |
Writer
Writer
Title | Year | Status | Character |
---|
Kid Notorious |
2003 |
TV Series creator |
|
The Kid Stays in the Picture |
2002 |
Documentary book "The Kid Stays in the Picture" |
|
Miscellaneous
Miscellaneous
Title | Year | Status | Character |
---|
The Kid Stays in the Picture |
2002 |
Documentary clip source: 1975 Golden Globe Awards |
|
Rosemary's Baby |
1968 |
developer - uncredited |
|
Thanks
Thanks
Title | Year | Status | Character |
---|
The Haunting of Pearson Place |
2013 |
inspired by |
|
Awakening World |
2012 |
Documentary special thanks |
|
Tower Heist |
2011 |
special thanks |
|
Celebrating Schlesinger |
2006 |
Video short special thanks |
|
One Among Us |
2005 |
special thanks |
|
After the Sunset: Interview with a Jewel Thief |
2005 |
Video short special thanks |
|
Wonderland |
2003 |
the producers and director wish to thank - as Bob Evans |
|
Going the Distance: Remembering 'Marathon Man' |
2001 |
Video documentary short special thanks |
|
Howard Hughes: His Women and His Movies |
2000 |
TV Movie documentary special thanks |
|
Self
Self
Title | Year | Status | Character |
---|
Breakfast with the Arts |
2004 |
TV Series |
Himself - Guest |
The Last Shot |
2004 |
|
Himself (uncredited) |
Vibe Awards |
2003 |
TV Special |
Himself |
Tinseltown TV |
2003 |
TV Series |
Himself |
7th Heaven |
2003 |
TV Series |
Himself |
The Late Late Show with Craig Kilborn |
2002-2003 |
TV Series |
Himself - Guest |
The 14th Annual Producers Guild of America Awards |
2003 |
TV Special |
Himself - Winner |
Charlie Rose |
2002 |
TV Series |
Himself - Guest |
Late Night with Conan O'Brien |
2002 |
TV Series |
Himself - Guest |
The Making of 'The Kid Stays in the Picture' |
2002 |
Video documentary short |
Himself |
The Kid Stays in the Picture |
2002 |
Documentary |
Narrator |
Going the Distance: Remembering 'Marathon Man' |
2001 |
Video documentary short |
Himself |
Rosemary's Baby: A Retrospective |
2000 |
Video documentary short |
Himself |
The Young and the Dead |
2000 |
Documentary |
Himself (Paramount executive) |
Just Shoot Me! |
2000 |
TV Series |
Himself |
Chinatown Revisited with Roman Polanski, Robert Evans and Robert Towne |
1999 |
Video documentary short |
Himself |
Cannes Man |
1997 |
|
Himself - Producer |
Lights, Camera, Action!: A Century of the Cinema |
1996 |
TV Mini-Series documentary |
Himself |
Sex, Censorship and the Silver Screen |
1996 |
TV Series documentary |
Quote Reader |
AFI Life Achievement Award: A Tribute to Jack Nicholson |
1994 |
TV Special |
Himself - Audience Member |
Helmut Newton: Frames from the Edge |
1989 |
Documentary |
Himself |
The Magic of Hollywood... Is the Magic of People |
1976 |
Documentary short |
Himself |
Apropos Film |
1976 |
TV Series documentary |
Himself |
Academy of TV Arts and Sciences Salute to Robert Evans |
1975 |
TV Movie |
Himself - Honoree |
The 47th Annual Academy Awards |
1975 |
TV Special |
Himself - Nominated: Best Picture |
The 45th Annual Academy Awards |
1973 |
TV Special |
Himself - Audience Member |
The 29th Annual Golden Globe Awards |
1972 |
TV Special |
Himself |
The 43rd Annual Academy Awards |
1971 |
TV Special |
Himself - Audience Member |
Here's Hollywood |
1961 |
TV Series |
Himself |
Person to Person |
1957-1958 |
TV Series documentary |
Himself |
The Steve Allen Plymouth Show |
1958 |
TV Series |
Himself - Recipient |
How to Sell a Film |
|
Documentary filming |
Himself |
Entertainment Tonight |
2008-2013 |
TV Series |
Himself |
Provocateur |
2013 |
Documentary short |
Himself |
Celebrity: Dominick Dunne |
2008 |
Documentary |
Himself |
AFI Life Achievement Award: A Tribute to Warren Beatty |
2008 |
TV Special |
Himself |
The Masterpiece That Almost Wasn't |
2008 |
Video documentary short |
Himself |
Chinatown: Filming |
2007 |
Video documentary short |
Himself |
Chinatown: The Beginning and the End |
2007 |
Video documentary short |
Himself |
Chinatown: The Legacy |
2007 |
Video documentary short |
Himself |
A Tribute to Peter Bart: Newhouse Mirror Award |
2007 |
Short |
Himself |
Gangsters: The Immigrant's Hero |
2006 |
Video documentary short |
Himself |
Stool Pigeons and Pine Overcoats: The Language of Gangster Films |
2006 |
Video documentary short |
|
Welcome to the Big House |
2006 |
Video documentary short |
|
Molls and Dolls: The Women of Gangster Films |
2006 |
Video documentary short |
Himself |
Morality and the Code: A How-to Manual for Hollywood |
2006 |
Video documentary short |
Himself |
Boffo! Tinseltown's Bombs and Blockbusters |
2006 |
Documentary |
Himself |
Celebrating Schlesinger |
2006 |
Video short |
Himself - Producer |
Going Hollywood |
2005 |
TV Series |
Himself |
Shootout |
2005 |
TV Series |
Himself |
E! True Hollywood Story |
2005 |
TV Series documentary |
Himself |
Before, During and 'After the Sunset' |
2005 |
Video documentary |
Himself |
The Last Mogul |
2005 |
TV Special documentary |
Himself |
Ultimate Film Fanatic |
2005 |
TV Series |
Himself - Judge |
Archive Footage
Archive Footage
Won awards
Won awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|
2003 |
Lifetime Achievement Award |
Palm Beach International Film Festival |
|
|
|
2003 |
Lifetime Achievement Award in Motion Pictures |
PGA Awards |
|
|
|
2003 |
Mary Pickford Award |
Satellite Awards |
|
|
|
2002 |
Star on the Walk of Fame |
Walk of Fame |
Motion Picture |
Awarded on May 23, 2002 at 6925 Hollywood Blvd. |
|
2000 |
PGA Hall of Fame - Motion Pictures |
PGA Awards |
|
Chinatown (1974) |
|
1993 |
Stinker Award |
The Stinkers Bad Movie Awards |
Worst Picture |
Sliver (1993) |
|
1980 |
Stinker Award |
The Stinkers Bad Movie Awards |
Worst Picture |
Popeye (1980) |
|
1977 |
David |
David di Donatello Awards |
Best Foreign Film (Miglior Film Straniero) |
Marathon Man (1976) |
|
1977 |
Showmanship Award |
Publicists Guild of America |
Motion Picture |
|
|
Nominated awards
Nominated awards
Year | Award | Ceremony | Nomination | Movie | Award shared with |
---|
1994 |
Razzie Award |
Razzie Awards |
Worst Picture |
Sliver (1993) |
|
1975 |
Oscar |
Academy Awards, USA |
Best Picture |
Chinatown (1974) |
|
Looks like we don't have salary information. Sorry!
# | Quote |
---|
1 |
Success means never having to admit you're unhappy. |
2 |
If I wrote the truth of what I know, the book would be 10,000 pages. |
3 |
When I went out to L.A., I knew one thing: property is king. No one wanted me--there's nothing worse than a pretty boy actor who wants to be a producer, especially a lousy actor. And I bought a property called "The Detective" to get my foot in the door. So I went to 20th Century-Fox and demanded a three-picture deal and got it. Without the property, they wouldn't have given me anything. |
4 |
It's not just what you pay the actors, everything goes up when you do it [in Hollywood], it just grows and grows. But the English artists I was working with cared more about what they were doing than how much they were paid to do it. It's not that way in America, I hate to say it but it's true. |
5 |
I've always been a gambler; I've always taken risks. Anyone who says you will always win if you take a risk is a liar, because it's not a risk then. |
6 |
. . . I believe that rules are made to be broken but I believe that vows made between two people must be adhered to. And I got married two weeks ago, and my vows are what we're talking about now: the four Ls. My vows are very simple: like, love, in love and lust--if we are to make our union work, I vow to adhere to at least two of them every day. One of them has to be like, because like is very important. And if you can't, something's wrong. |
7 |
A love story could be for an evening, a week, a month, it could be forever. There is a big difference between like, love, in love and lust. |
8 |
The producer is the most important element of a film. It's the producer who hires the director . . . The producer buys the property, he hires the writer, the director; he's involved in hiring all the actors, involved with production, costs, post-production and involved with marketing. He's on a film for four or five years and gets very little credit for it. |
9 |
I didn't hang around with famous people . . . they hung around with me. |
10 |
[about his proposal to Catherine Oxenberg while recovering from a stroke, which resulted in a 12-day marriage] I was very, very seductive but in fact I was crazy. My brain was swollen still. |
11 |
[speaking to women] If you're ever approached with the line, "You ought to be in pictures, I'm a producer", tell the guy to fuck off. He's a fraud, and the pictures he wants to put you in don't play in theaters. |
12 |
When a director hires a producer, you're in deep shit. A director needs a boss, not a yes man. |
# | Trademark |
---|
1 |
Long hair |
2 |
Often wears large, square-framed, tinted eyeglasses |