Bob Doherty

Bob Doherty was the favored engineer of several producers of separate jazz, R&B, and doo wop materials through the ’40s and ’50s. Among Doherty’s haunts of be aware was the famous WOR Studio room B in NEW YORK, later he’d switch to Studio room 16; several producer trying to describe apart the faults of a specific project has accepted problems began when they discovered that among these studios, and Doherty along with it, wouldn’t normally be accessible. He was known not merely so you can get great sound, and setting it up quickly, but also for rolling using the punches. An average example will be a program for maker Joe Davis where the music group was ready however the vocalist was a no-show. An instrumental was slice rather and it converted into a hit; simply no small because of the rip-roaring audio Doherty designed for the horns. That is just one single anecdote in an extended series of classes which includes early jazz classics by performers such as for example Charles Mingus aswell as the warblings of the after that eight-year-old Leslie Uggams. The engineer was also component and parcel of several historical doo wop classes by famous brands the Crickets and was placed into services in the first times of the Atlantic label.