The bassist Bob Bates was active on jazz recordings for roughly ten years, from 1946. He’s mostly connected with pianist, composer, and bandleader Dave Brubeck, who was simply exceedingly well-known through the ’50s, and in addition undertook the casual task with Brubeck affiliates such as soft alto saxophonist Paul Desmond. Bates can be one of fairly few jazz players to emerge from Idaho — the actual fact that he was among three brothers who all performed bass also shows how the Bates family most likely can claim many vote in virtually any gathering of Idaho bassists. Mama Bates, an organist, obviously had grounds to desire her sons to try out bass. Bob Bates researched tuba, trumpet, and trombone in senior high school and delved into bass research as a traditional college student in both NEW YORK and SAN FRANCISCO BAY AREA. He had performed bass in a number of nonclassical designs in regional Boise bands, nevertheless. In 1947, Bates started turning up on jazz schedules behind brass participant Sonny Dunham. For another couple of years he was connected with Jack port Fina, but produced his saving debut in 1959 with Jack port Sheedy’s Dixieland Music group. In the first ’50s he kept down the bass seat in both Beaux & a Peep Trio. From 1953-1955 he was Brubeck’s bassist, ultimately changed by Eugene Wright. After departing what was one of the most well-known jazz combos in the globe, perhaps Bates merely wasn’t thinking about setting his places any lower — not really a bassist must have anything against anything heading lower. Bates was inactive being a jazz participant from the middle-’50 onward.