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Blue Number Nine

Led by vocalist/songwriter/musician Stefanie Seskin, New Jersey’s Blue Number 9 can be an interracial soul/funk outfit with a solid ‘70s impact. Seskin isn’t just an R&B purist where Blue Quantity Nine can be involved; there are, sometimes, traces of rock and roll, pop, and jazz within their function. But spirit/funk may be the main path of Blue Quantity Nine — who’ve sometimes been set alongside the similarly ‘70s-minded COMPLETELY NEW Heavies — and Seskin certainly gets a whole lot of motivation from a time where Rufus & Chaka Khan, Labelle (Patti LaBelle’s ‘70s vocal trio with non-a Hendryx and Sarah Dash), Maze & Frankie Beverly, and the common White Music group reigned supreme around the R&B graphs. Seskin’s funk isn’t the gutbucket, over-the-top funk that Parliament/Funkadelic, Bootsy’s ELASTIC BAND, and the past due Rick James had been famous for within their heyday; rather, Seskin mementos what was known as “advanced funk” back the ‘70s — that’s, the type of gritty yet refined funk connected with Rufus/Khan, Maze, AWB, and Philadelphia International Information. Seskin created Blue Quantity Nine in Sept 1995; by that point, she experienced a réamounté that included, among other activities, a stint playing bass for the brand new York City music group Expenses Popp & the Tapes in the past due ‘80s and early ‘90s. Seskin will a lot of the bass playing on Popp & the Tapes’ 1st recording, Popp This, which vocalist/songwriter Popp released by himself label, 121st Road Information in 1990. With Popp’s music group, Seskin performed his tunes and embraced an extremely English Invasion-influenced, ‘60s-minded design of pop/rock such as the Beatles, the Yardbirds, as well as the Zombies — and Seskin’s capability to move from playing in Popp’s music group to developing a spirit/funk clothing about half-a-decade afterwards underscores her flexibility. But while you can find major stylistic distinctions between Costs Popp & the Tapes and Blue Amount Nine, both bands have a very important factor in keeping: both of these reflect the innovative visions of the leaders. Just like Costs Popp & the Tapes can be Popp’s baby, Blue Amount Nine is very much indeed Seskin’s baby, and she’s worn a variety of hats in her music group, including business lead vocalist, songwriter (she writes or co-writes a lot of the materials), manufacturer, engineer, flutist, keyboardist, alto saxophonist, clarinetist, and percussionist. Blue Amount Nine’s debut record premiered on Berger Platters Information in 2000; that Compact disc was accompanied by 2001’s Keeping Place (a live record) and 2003’s On the Shoestring, both on Verify Other Music. On the way, Seskin’s music group has had a lot more than its talk about of lineup adjustments; in 2004, Seskin was the only real remaining first member, as well as the East Coast music artists signing up for her in Blue Amount Nine included Marco Accattatis on bass and history vocals, Sal Carrubba on electric guitar, Ada Rovatti on tenor sax, Nabate Isles on trumpet, Rob Susman on trombone, Sheila Connors, Camari Body, and Joel Hirsch on percussion and history vocals, and Jack port M. Gourdine on drums,.

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