The final of the fantastic arrangers who wrote regularly for Frank Sinatra, Billy Might had several varied careers in and out of jazz. His initial significant gig was as an arranger/trumpeter with Charlie Barnet (1938-1940), for whom he had written the wah-wah-ing strike agreement of Ray Noble’s “Cherokee.” Afterwards, he proved helpful in the same capacities for Glenn Miller (1940-1942) and Les Dark brown (1942) before settling into personnel jobs, initial at NBC studios, after that at Capitol Information, where he led his very own studio big music group from 1951 to 1954. His preparations for Sinatra, you start with Arrive Fly BESIDE ME (1957) and finishing with Trilogy (1979), tend to be within a walloping, brassy, also taunting swing setting, generating a number of the singer’s most swaggering vocals. Could also do extensive credit scoring for tv, film, and advertisements. Although Might was mainly inactive in the ’80s and ’90s , he unexpectedly surfaced in 1996 with some typically shiny big band graphs for comic Stan Freberg’s AMERICA of America, Vol. 2 (Rhino), 25 years after his efforts to Vol. 1. The experienced arranger died silently in the home on January 22, 2004 at age 87.