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Bill Smith

b. 12 Might 1938, Bristol, Britain. A jazz enthusiast from years as a child, Smith begun to find out trumpet and drums, embracing soprano saxophone just in 1966, 3 years after he previously shifted to Toronto. Inspired by 60s free of charge jazz and by the brand new music from Chicago’s AACM, Smith performed a prominent function in Canada’s modern jazz scene from the 70s, dealing with different ensembles like the All Period SOUND FILES Orchestra, the avant garde Jazz Revival Band, the CCMC and Atmosphere Raid. In 1976 he documented a couple of duos with pianist Stuart Broomer, after that in the past due 70s shaped a trio with David Lee (bass, cello) and David Prentice (violin). Originally known as the New Artwork Music Outfit (NAME), they afterwards became the Costs Smith Ensemble, saving two albums themselves and one each with guests Leo Smith and Joe McPhee. Also a well-known professional photographer and article writer, Smith is definitely co-publisher and editor of Coda, because the 60s among the world’s leading jazz journals; is certainly co-owner of Sackville Recordings; and was a creator from the Onari label (called after his wife, who co-runs it with him). He’s also the originator of Imagine The Sound – some five (to time) projects which have included two photographic exhibitions, a couple of jazz postcards, a film (offering Paul Bley, Costs Dixon, Archie Shepp and Cecil Taylor) and a publication of his photos and writings. In 1988, he toured and documented with the worldwide saxophone sextet, Six Winds, but had not been with them on the second recording. (This artist shouldn’t be puzzled with the united states saxophonist/clarinettist Expenses Smith, most widely known for his use Dave Brubeck.)

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