Bill Castagnino

This trumpeter is most beneficial recognized to big band fans within Woody Herman’s roaring, screaming brass section from 1954 through 1957. Irrespective of that amazing credit and a number of other accomplishments as both a bandleader by himself and a LA program musician, William (Costs) Castagnino’s selection of an additional profession may seem a lot more interesting: In 1958, he started working as an authorized mortician. People that have a black love of life may choose to draw a link between usual hipster jazz slang for amazing playing, like stating the Herman trumpet section is actually “eliminating,” as well as the people who cope with the aftermath of loss of life the truth is. The inspiration for music artists to enter various other lines of function is usually cost-effective, but this may not need been the situation with Castagnino. His datebook in the ’50s and ’60s included studio room jobs like the soundtrack to get a tv series sponsored from the Chevrolet business. Employed in a music group led by Jerry Fielding in 1956 certainly wouldn’t possess harm in securing careers; Fielding continued to become among the best scorers for Hollywood movies. Bandleaders such as for example Charlie Barnet and Chuy Reyes had been one of the primary employers to consider the trumpeter on as a guy. He also worked well in some Latin bands centered out of LA, like the Pérez Prado clothing in 1957. Castagnino’s greatest recorded appearances consist of sides using the second option bandleader and a healthful pile of Herman edges. Jantzen Seaside Oregon 1954, a live arranged released in 1996, offers a fine exemplory case of the trumpeter’s function in the Herman group on an average night.