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Big Joe Turner


The premier blues shouter from the postwar era, Big Joe Turner’s roar could rattle the foundation of any gin joint he sang within — and that is with out a microphone. Turner was a resilient physique in the annals of blues — he very easily spanned boogie-woogie, leap blues, also the initial wave of rock and roll & roll, savoring great achievement in each genre. Turner, whose effective physique certainly matched up his vocal might, was something from the swinging, wide-open Kansas Town scene. Also in his teenagers, the big-boned Turner appeared entirely mature more than enough to gain entrance to several K.C. niteries. He finished up concurrently tending club and performing the blues before starting up with boogie piano get good at Pete Johnson through the early ’30s. Theirs was a relationship that would withstand for 13 years. The set initially journeyed to NY at John Hammond’s behest in 1936. On Dec 23, 1938, they made an appearance in the fabled Spirituals to Golf swing concert at Carnegie Hall on the costs with Big Costs Broonzy, Sonny Terry, the Golden Gate Quartet, and Count number Basie. Turner and Johnson performed “Low Down Pet dog” and “It’s FINE, Baby” in the historical present, kicking off a boogie-woogie trend that got them a long-running slot machine in the Cafe Culture (alongside piano giants Meade Lux Lewis and Albert Ammons). As 1938 found a detailed, Turner and Johnson waxed the thundering “Move ‘Em Pete” for Vocalion. It had been an exciting up-tempo quantity anchored by Johnson’s crashing 88s, and Turner would re-record it often over the years. Turner and Johnson waxed their seminal blues “Cherry Crimson” another 12 months for Vocalion with trumpeter Sizzling Lips Web page and a complete combo in support. In 1940, the substantial shouter moved to Decca and slice “Piney Dark brown Blues” with Johnson rippling the ivories. However, not most of Turner’s Decca edges teamed him with Johnson; Willie “The Lion” Smith followed him within the mournful “Careless Like,” while Freddie Slack’s Trio offered support for “Stones in my own Bed” in 1941. Turner ventured out to the Western Coast through the battle years, building a significant pursuing while ensconced within the L.A. circuit. In 1945, he authorized on with Country wide Records and slice some fine little combo platters under Plant Abramson’s guidance. Turner continued to be with Country wide through 1947, belting an exuberant “My Gal’s a Jockey” that became his initial nationwide R&B smash. Agreements didn’t end him from waxing a remarkably risqué two-part “Night and day” for the aptly called Stag imprint (as Big Vernon!) in 1947. There have been also solid periods for Aladdin that season that included a outrageous vocal duel with among Turner’s principal competitors, Wynonie Harris, in the ribald two-part “Fight from the Blues.” Few Western world Coast indie brands of the past due ’40s didn’t boast a minimum of a couple of Turner titles within their catalogs. The shouter bounced from RPM to Down Defeat/Golf swing Time and energy to MGM (those schedules had been anchored by Johnson’s piano) to Texas-based Independence (which moved a few of their experts to Area of expertise) to Imperial in 1950 (his New Orleans support staff there included a Extra fat Domino on piano). But in addition to the 1950 Independence 78, “Still at night,” non-e of Turner’s information were selling especially well. When Atlantic Information bosses Abramson and Ahmet Ertegun fortuitously slipped with the Apollo Movie theater to look at Count Basie’s music group 1 day, they found that Turner experienced temporarily changed Jimmy Rushing because the Basie band’s frontman, and he was having a hardcore go from it. Atlantic found his spirits by picking right up his recording agreement, and Turner’s heyday was going to commence. At Turner’s 1st Atlantic day in Apr of 1951, he imparted a gorgeously world-weary reading towards the shifting blues ballad “Stores of Like” (co-penned by Ertegun and pianist Harry Vehicle Wall space) that restored him towards the uppermost gets to from the R&B graphs. Following that, the strikes came in droves: “Chill Is definitely On,” “Nice 16” (yeah, exactly the same downbeat blues B.B. King’s generally connected with; Turner achieved it initial), and “NOT Cry” had been all performed in NY, and all strike big. Turner acquired no issue whatsoever adapting his prodigious pipes to whatever local setting up he was in. In 1953, he trim his initial R&B chart-topper, the storming rocker “Honey Hush” (afterwards included in Johnny Burnette and Jerry Lee Lewis), in New Orleans, with trombonist Pluma Davis and tenor saxman Lee Allen in rip-roaring support. Prior to the calendar year was through, he ended off in Chicago to record with glide guitarist Elmore Adam’ significantly rougher-edged combo and strike again using the salacious “T.V. Mama.” Prolific Atlantic home writer Jesse Rock was the foundation of Turner’s biggest smash of most, “Tremble, Rattle and Move,” which demonstrated his second chart-topper in 1954. Using the Atlantic braintrust apparently chiming in within the chorus behind Turner’s rumbling lead, the music sported plenty of pop options to merit a substantially cleaned-up cover by Expenses Haley & the Comets (along with a following edition by Elvis Presley that arrived a lot nearer to the initial leering intention). Instantly, at age 43, Turner was a rock and roll superstar. His jumping follow-ups — “Well FINE,” “Turn Flop and Take a flight,” “Cover and Look for,” “Morning, Noon and Evening,” “The Poultry as well as the Hawk” — all mined exactly the same good-time groove as “Tremble, Rattle and Move,” with sharp support from New York’s best program aces and typically outstanding creation by Ertegun and Jerry Wexler. Turner resulted in on a few episodes from the groundbreaking Television program Showtime on the Apollo through the middle-’50s, commanding middle stage having a joyous rendition of “Tremble, Rattle and Move” before saxman Paul “Hucklebuck” Williams’ music group. Nor was the big screen immune system to his substantial charms: Turner mimed several numbers within the 1957 film Tremble Rattle & Rock and roll (Body fat Domino and Mike “Mannix” Connors also starred within the flick). Upgrading the pre-war quantity “Corrine Corrina” was an influenced notion that offered Turner with another substantial vendor in 1956. But following the two-sided strike “Rock some time”/”Lipstick Natural powder and Color” afterwards that calendar year, his Atlantic result quickly faded from industrial acceptance. Atlantic’s documenting strategy wisely included recording Turner within a jazzier placing for the adult-oriented record market; compared to that end, a Kansas City-styled established (along with his previous partner Johnson on the piano feces) was laid straight down in 1956 and continues to be a linchpin of his legacy. Turner remained on at Atlantic into 1959, but no one bought his violin-enriched remake of “Stores of Like” (alternatively, a revival of “Honey Hush” with Ruler Curtis blowing a scorching sax break through the same program was a jewel in its correct). The ’60s didn’t create an excessive amount of enduring compound for the shouter — he in fact cut an recording with longtime admirer Haley and his most recent batch of Comets in Mexico Town in 1966! But from the tail end from the 10 years, Turner’s essential efforts to blues background were starting to receive appropriate recognition; he lower LPs for BluesWay and Blues Period. Through the ’70s and ’80s, Turner documented prolifically for Norman Granz’s jazz-oriented Pablo label. They were super-relaxed impromptu classes that often matched the allegedly illiterate shouter with several jazz luminaries in what amounted to loosely operate jam periods. Turner contentedly roared the familiar lyrics of 1 or another of his strikes, then sat back again while somebody had taken a lengthy single. Other notable record tasks included a 1983 cooperation with Roomful of Blues, Blues Teach, for Muse. Although health issues and how big is his humongous body compelled him to sit back during his latter-day shows, Turner continuing to tour until quickly before his loss of life in 1985. They known as him the Employer from the Blues, as well as the appellation was a classic fitted one: when Turner shouted a lyric, you had been certainly at his beck and contact.

Quick Facts

Full Name Big Joe Turner
Died November 24, 1985, Inglewood, California, United States
Profession Singer, Jazz Pianist
Nationality American
Spouse Patricia Turner
Awards Grammy Hall of Fame
Music Songs Shake, Rattle and Roll, Flip, Flop, and Fly, Honey Hush, Boogie Woogie Country Girl, Roll 'Em Pete, Corrine, Corrina, Chains of Love, Wee Baby Blues, Well All Right, Lipstick, Powder & Paint, T.V. Mama, Oke-She-Moke-She-Pop, Cherry Red, The Chill Is On, Careless Love, Midnight Special Train, Johnson & Turner Blues, Red Sails in the Sunset, Watch That Jive, Midnight Cannonball, Feeling Happy, How Long Blues, Rock A While, Rocks in My Bed, Baby I Still Want You, Little Bittie Gal's Blues, Paris Blues, Low Down Dog, After My Laughter Came Tears, I Want a Little Girl, Christmas Date Boogie, Ooo-Ouch-Stop
Albums The Trumpet Kings Meet Joe Turner, The Bosses, Big Joe Rides Again, The Real Boss Of The Blues, My French Connection, Early Big Joe (1940-1944), Boss Man's Blues, Stride by Stride, Big Joe Blues, With Knocky Parker & His Houserockers, Essential 10, Live in Germany, 1969, All the Hits, Vol. 5, Jazz Club Music Selection - Big Joe Turner Vol. 2, Free and Easy, Crazy 'Bout My Baby (Mono Version), Roomful With Vinson and Turner, Night Train, Ten Years of Hits -The Singles As & Bs, 1951 - 1960, Forever Big Joe Turner Vol. 01, Big Joe Turner Selected Favorites, Vol. 3, Jazz Club Music Selection - Big Joe Turner Vol. 3, Big Joe Turner & The Memphis Blues Caravan, The Gold Standard Series, Jazz, Big Band & Swing Classics - Joe Turner, Vocal Jazz (Joe Turner - Boss Of The Blues), Big Joe Turner Selected Favorites Volume 4, Golden Hits, Joe Turner Live, At Newport, Big Joe Rocks, Chains Of Love, Jump for Joe, Big Joe Turner Live 1983, Rock 'N' Roll Legend: Big Joe Turner, Low Down Dog, Two Classic Albums Plus Other 1945-47 Singles (The Boss of the Blues / Joe Turner & Pete Johnson) [Remastered], Still Stridin' Along, Vol. 2, Corinne Corinna, Live Five, The Essential '40s Collection, Joe Turner Selected Hits Vol. 1, Rock and Roll With, Blues In The Night, The Boss of the Blues, Boogie Woogie, The very best of Big Joe Turner, Big, Bad & Blue: The Big Joe Turner Anthology, Rhythm & Blues Years, All the Classic Hits 1938-1952, Blues Collection, The Blues Shouter
Movies Shake, Rattle & Rock!, The American Folk-Blues Festival: The British Tours 1963-1966

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WPC 56 2013-2015 TV Series performer - 4 episodes
Vegas 2012 TV Series performer - 1 episode
L.A. Noire 2011 Video Game as Harris Joe Turner, "Battle of the Blues, Part 1" / performer: "Battle of the Blues, Part 1"
The Express 2008 performer: "Shake, Rattle And Roll"
Jukebox Rock 'n' Roll Vol. 1 2007 Video performer: "Okee Shamokee Pop"
Lackawanna Blues 2005 TV Movie performer: "Boogie Woogie Country Girl"
The Blues TV Series documentary performer - 1 episode, 2003 writer - 1 episode, 2003
The Singing Detective 2003 performer: "Flip Flop And Fly"
Elvis Presley: His Early Performances 2002 Video documentary writer: "Flip, Flop and Fly"
Hollywood Rocks the Movies: The Early Years (1955-1970) 2000 TV Movie documentary performer: "Shake, Rattle And Roll", "Lipstick, Powder And Paint" - as Joe Turner
Paul McCartney: Live at the Cavern Club 1999 TV Special writer: "Honey Hush" - as Joe Turner, uncredited
Liberty Heights 1999 performer: "Shake Rattle and Roll"
The Rainmaker 1997 performer: "Woman You Must Be Crazy"
Corrina, Corrina 1994 performer: "CORRINE, CORRINA"
Bluesland: A Portrait in American Music 1993 Documentary performer: "Shake, Rattle & Roll"
Malcolm X 1992 performer: "Roll Em Pete" / writer: "Roll Em Pete" - as Joe Turner
Uncle Buck 1989 performer: "LIPSTICK, POWDER AND PAINT" - as Joe Turner
Last Exit to Brooklyn 1989 performer: "The Chill Is On" / writer: "The Chill Is On"
Short Circuit 2 1988 performer: "Shake, Rattle, and Roll" - uncredited
The Big Town 1987 performer: "SHAKE, RATTLE AND ROLL"
Blues for Central Avenue 1986 Documentary writer: "Roll Em Pete"
This Is Elvis 1981 as Lou Willie Turner, "Flip, Flop, Fly"
All Night Long 1981 writer: "Honey Hush"
The Buddy Holly Story 1978 performer: "Corrine, Corrina"
Rum Runners 1971 lyrics: "Mac Allister's Wedding Song" / performer: "Mac Allister's Wedding Song"
Shake, Rattle & Rock! 1956 performer: "Feelin' Happy", "Lipstick, Powder & Paint", "Choker, The", "Rock, Rock, Rock"
Stage Show 1956 TV Series writer - 1 episode
Rhythm and Blues Revue 1955 Documentary performer: "Shake, Rattle and Roll"
Rock 'n' Roll Revue 1955 Short performer: "Okimoshebop"
Show Time at the Apollo 1955 TV Series performer - 2 episodes



Roots 1977 TV Mini-Series The Singer
Swingtime Jamboree 1946



Gunsmoke Blues 2004 Video documentary
Arena 1985 TV Series documentary Himself
The Last of the Blue Devils 1979 Documentary Himself
Nothing But the Blues: Blues Scene 1967 TV Movie Himself
Nothing But the Blues 1966 TV Movie Himself
Shake, Rattle & Rock! 1956 Himself - Singer
Rhythm and Blues Revue 1955 Documentary Himself (as Joe Turner)
Rock 'n' Roll Revue 1955 Short Himself
Show Time at the Apollo 1955 TV Series Himself - Singer

Archive Footage

Archive Footage

The Atlantic Records Story 1994 TV Special Himself
Bluesland: A Portrait in American Music 1993 Documentary Himself - Performer
Rock and Roll: The Early Days 1984 Video documentary Himself
Jukebox Rock 'n' Roll Vol. 1 2007 Video Himself
Soul Deep: The Story of Black Popular Music 2005 TV Mini-Series documentary Himself
The Blues 2003 TV Series documentary Himself
Standing in the Shadows of Motown 2002 Documentary Himself
Walk on By: The Story of Popular Song 2001 TV Series documentary Himself
The History of Rock 'n' Roll 1995 TV Series documentary Himself

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