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Bettye LaVette

Biography

A perennial cult favourite in Northern spirit circles, singer Bettye LaVette was created in Muskegon, MI, on January 29, 1946. Elevated primarily over the condition in Detroit, at 16 she slice her first edges for the neighborhood Lupine label, having a check pressing from the disk making its method to Atlantic Information. After putting your signature on with Atlantic, she obtained an R&B TOP hit from the package with her debut solitary, “My Guy — He’s a Caring Man,” and then neglect to reach exactly the same industrial heights once again. After yet another Atlantic launch, 1963’s “YOU MAY NEVER Switch,” LaVette relocated back again to Lupine on her behalf third record, “Witchcraft in the Air flow.” Following a stint like a presented vocalist using the Don Gardner & Dee Dee Ford Revue, she documented the long-unreleased “One Thin Dime” for Scepter before resurfacing on Calla using the 1965 dropped classic “I WANT TO Down Easy,” her just additional record to split the R&B Best 20. Two even more Calla attempts — the good “Just Your Like Can Save Me” and “I’m Only a Fool for you personally” — preceded a change to Big Steering wheel, where after only one, “I’m SECURING,” LaVette once again moved along, this time around towards the Karen imprint for “Hey Like.” Following remains at Metallic Fox (“He Produced a Woman From Me,” “Perform Your Duty”), SSS International (“Consider Another Little bit of My Heart”), and her personal TCA imprint (“By no means My Like”), LaVette came back to Atlantic, putting your signature on with their Atco department for 1972’s Neil Youthful cover “Heart of Silver.” An LP, Kid from the Seventies, was also documented at Muscles Shoals Studios, but Atco opted against its discharge after the failing from the one “Your Use Cry” (the record was reissued, filled with reward monitors, in limited copies by Rhino in 2006). After signing up for the touring firm from the Broadway musical Bubbling Dark brown Glucose, LaVette briefly agreed upon to Western world End for the disco work, 1978’s “Doin’ the very best I COULD.” She didn’t record once again until 1982, getting at Motown and rechristening herself “Bettye.” Nevertheless, despite much promotional drive, neither the LP Inform Me a Lay nor the solitary “Right in the centre (Of Dropping in Like)” demonstrated her long-awaited graph breakthrough, and beyond a small number of recordings for Engine City through the ’90s, she concentrated mainly on live looks within the years to check out. The 2000s discovered her within the documenting studio more often with fresh albums A FEMALE Like Me released from the Blues Express label in 2003 accompanied by I’ve Got MY VERY OWN Hell to improve in 2005 within the Anti label. In 2006, Consider Another Little Little bit of My Center, a assortment of Metallic Fox singles and also other material, which had been documented in Memphis between 1969 and 1970, arrived on Varèse Sarabande. The Picture from the Criminal offense made an appearance on Anti in 2007. LaVette following tackled classic tunes from the Beatles, the Rolling Rocks, Pink Floyd, as well as the Who, amongst others, on 2010’s Interpretations: The English Rock and roll Songbook, which she co-produced with Rob Mathes and Michael Stevens. LaVette celebrated her 50th yr like a performer in 2012 by liberating Thankful ‘n’ Thoughtful, covering tunes from the Dark Keys, Sly Rock, Tom Waits, Neil Youthful, and Bob Dylan, amongst others, and also released her autobiography, A FEMALE Like Me. LaVette reunited with maker Joe Henry, who was simply behind the settings for The Picture from the Criminal offense, for 2015’s Worthwhile, her first recording for the English Cherry Crimson label.

Quick Facts


Full Name Bettye LaVette
Profession Songwriter, Singer-songwriter
Nationality American
Spouse Kevin Kiley
Awards Rhythm and Blues Foundation Pioneer Award
Music Songs Let Me Down Easy, Love Reign O'Er Me, Thankful n' Thoughtful, What Condition My Condition Is In, Your Turn to Cry, A Woman Like Me, He Made a Woman Out of Me, Heart of Gold, Doin' the Best That I Can, I'm Not the One, Crazy, Do Your Duty, You'll Never Change, Everything Is Broken, Dirty Old Town, Easier to Say, Just Between You and Me and the Wall You're a Fool, Talking Old Soldiers, Wish You Were Here, Witchcraft in the Air, All My Love, Soul Tambourine, Only Your Love Can Save Me, Don't Let the Sun Go Down on Me, When a Woman's Had Enough, It Don't Come Easy, How Am I Different, You'll Wake Up Wiser, Most of the Time, Danger Heartbreak Dead Ahead, We Got to Slip Around, At the Mercy of a Man
Albums I've Got My Own Hell to Raise, Interpretations: The British Rock Songbook, The Scene of the Crime, Child of the Seventies, Worthy, A Woman Like Me, Let Me Down Easy: In Concert, Thankful n' Thoughtful, Tell Me a Lie, Not Gonna Happen Twice, Worthy (Deluxe Edition), Change is Gonna Come Sessions, Bluesoul Belles: The Complete Calla, Port & Roulette Recordings, The Very Best of the Motorcity Recordings, Nearer to You
Nominations Grammy Award for Best Contemporary Blues Album, Grammy Award for Best Blues Album
Movies The Best of the Jammys: Vol. 2


  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
  • Pictures

#Fact
1 Recorded her very first album in 1972 called Child of the Seventies for Atlantic Records subsidiary label, Atco. It was recorded at Muscle Sholes Studios in Alabama, in November 1972, taking a total of nine days to complete; planning to be released in 1973. However, due to the failure of single 'Your Turn to Cry,' Atlantic revoked the album, and asked LaVette to turn in the piles of airline tickets they allotted her for planned promotional tours. In 1999, Bettye found duplicate copies of the master tapes in her basement, and soon found the original tapes still existed, and had not been destroyed in the famous 1970s fire. They were sitting dormant in Atlantic's New York vault. Giles Petaard had the album issued under the alternative title Souvenirs, and has since made LaVette transform from an unknown to a in-demand performer.


Soundtrack

Soundtrack

TitleYearStatusCharacter
Scandal TV Series 1 episode, 2012 performer - 1 episode, 2016
Late Show with David Letterman 2005-2015 TV Series performer - 3 episodes
We Still Kill the Old Way 2014 performer: "I Feel Good All Over"
Blood Ties 2013/I performer: "You'll Never Change"
The Tonight Show with Jay Leno 2010-2012 TV Series performer - 3 episodes
The Late Late Show with Craig Ferguson 2010 TV Series performer - 1 episode
The L Word 2008 TV Series performer - 1 episode
First Snow 2006 performer: "When The Blues Catch Up To You" - as Betty LaVette

Actress

Actress

TitleYearStatusCharacter
Don't Forget the Motorcity 2008 Video
Soul Train 1982 TV Series Guest

Music Department

Music Department

TitleYearStatusCharacter
Low Winter Sun TV Series performer - 1 episode, 2013 main title theme performer - 1 episode, 2013

Thanks

Thanks

TitleYearStatusCharacter
Bayou Maharajah 2013 Documentary thanks

Self

Self

TitleYearStatusCharacter
Tavis Smiley 2010-2015 TV Series Herself
Late Show with David Letterman 2005-2015 TV Series Herself - Musical Guest
Village Music: Last of the Great Record Stores 2012 Documentary Herself
The Tonight Show with Jay Leno 2009-2012 TV Series Herself - Musical Guest / Herself
Change Begins Within 2012 TV Movie Herself
An Evening of Stars: Tribute to Chaka Khan 2011 TV Special Herself
Lopez Tonight 2010 TV Series Herself
The Late Late Show with Craig Ferguson 2009-2010 TV Series Herself - Musical Guest / Herself
Live from the Artists Den 2010 TV Series Herself
The Official Inaugural Celebration 2010 Video documentary Herself
We Are One: The Obama Inaugural Celebration at the Lincoln Memorial 2009 TV Special Herself
The Stern Grove Festival Videos 2009 TV Series Herself
The Kennedy Center Honors: A Celebration of the Performing Arts 2008 TV Special Herself
Late Night with Conan O'Brien 2008 TV Series Herself
Best of the Jammys, Volume Two 2007 Video Herself
Later... With Jools Holland 2005 TV Series Herself
Blues Divas 2005 Documentary Herself
Shindig! 1965 TV Series Herself - Singer

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#Quote
1 [on the resurgence in her career, 2013] I refuse to call it a revival or a resurrection. I never stopped working. I always call it 'the coming out of the crypt' because I was in a deep dark hole, working for fifty dollars. Regular things that happened to artists didn't happen to me. The record company didn't steal my money. I didn't get strung out on drugs. I didn't join a church. My husband didn't make me not sing. It's been all kinds of deep shit.
2 No one can give me songs, it's like giving me a lover. I become deeply meshed within these songs when I start to work on them.
3 "I don't really like to sing things that I wouldn't say. If I sing it, I would more than likely say it." (quoted during release of her 2005 CD, "I've Got My Own Hell to Raise')

#Trademark
1 Passionate vocal style

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