Beth Carvalho was created within the working class suburb of Gamboa but grew up in the centre class South Part. At age seven, she was carrying out in novice displays in a number of Carioca radios, just like the Nacional. At exactly the same time, she researched musical theory in the Escola Nacional de Música. Using the bossa nova motion gaining informal locations like colleges and universities, she offered her preliminary musical methods into that design. Her 1st documenting, for instance, was the solitary “Por Quem Morrer De Amor” (Roberto Menescal/Ronaldo Bôscoli). She also performed another bossa nova with Tibério Gaspar, musician/composer at that time, and in the bossa group Conjunto 3-D (Antônio Adolfo, piano, Chico Batera, drums, Luís, bass), performing with Eduardo Conde. But at exactly the same time, evidenced her infatuation for the normal samba from the hillsides by taking part in the display A Hora E A Vez Perform Samba with Zé Keti and Operating-system Cinco Crioulos. In 1968, her interpretation for “Andança” (Danilo Caymmi/Edmundo Souto/Paulinho Tapajós) received third place in the III Event Internacional da Canção. The achievement achieved gave delivery to the 1st LP, Andança, including the music that became a vintage of MPB, becoming re-recorded by many great performers like Maria Bethânia, Elis Regina, and Nana Caymmi. The best turning point arrived in 1971 when she documented the samba-enredo “Rio Grande Perform Sul Na Festa Perform Preto Forro” for the samba college Unidos de São Carlos. After that, she devoted herself to carrying out sambas, tensing her bonds using the hill tradition. The documenting of “Só Quero Ver” (Edmundo Souto/Paulinho Tapajós) was a big strike and, thrilled by viewing it becoming sung in Salgueiro and Mangueira’s rodas de samba, Carvalho determined that she’d adhere to the in-your-face method of producing music of the original communities from the hillsides. Which is like a samba vocalist that she shifted for Tapecar business, where she documented the solitary “Amor, Amor,” accompanied by the LP Canto Por Um Novo Dia, with samba symbols like Geraldo Vespar, Nelson Cavaquinho (playing his exclusive violão in “Folhas Secas”), Luizão, Marçal, Luna, Eliseu, Martinho da Vila, as well as the group Nosso Samba. In 1974, the LP Pra Seu Governo also got Nelson Cavaquinho playing and performing and got popular with “1800 Colinas” (Gracia perform Salgueiro). The recording got an excellent efficiency in Brazil and was also released in France. It opened up the doors to get a season inside a Parisian nightclub. Nos Botequins Da Vida (1977) offered 400,000 copies using the strikes “Saco de Feijão” (Francisco Santana) and “Olho Por Olho” (Zé perform Maranhão/Daniel Santos). Because the past due ’70s, Carvalho, currently established being a sambista, backed several youthful composers who afterwards became famous within the samba and pagode idioms because the carriers from the torch, like Luiz Carlos da Vila, Jorge Aragão, Zeca Pagodinho, Almir Guineto, the group Fundo de Quintal, Arlindo Cruz, and Sombrinha, Moacyr Luz, as well as the Quinteto em Branco e Preto. On her behalf following LP, 1978’s De Pé No Chão, she provided Jorge Aragão (who participated within the documenting playing the violão) interpreting his “Vou Festejar,” which became popular. The Cacique de Ramos participated within the percussion for the very first time, opening a link that is constantly on the last. Beth Carvalho No Pagode (1979), regarded a masterpiece, acquired her biggest strike ever, “Coisinha Perform Pai” (Jorge Aragão/Almir Guineto/Luiz Carlos). In the past due ’90s, the melody was placed in the area probe Pathfinder. The record acquired several other strikes, like “Pedi Ao Céu” (Almir Guineto/Luverci Ernesto) and “Tem Nada Não” (Almir Guineto/Luverci Ernesto/Jorge Aragão). Beth Carvalho was paid homage with the samba college Unidos perform Cabuçu, which devoted the samba-enredo “Beth Carvalho, a Enamorada Perform Samba” (1984) to her. Being a composer, she composed with “Canção de Esperar Neném,” contained in Sentimento Brasileiro (1980). In 1987, she documented the LP Beth Carvalho Ao Vivo No Celebration De Montreux reside in the Montreux Celebration (Switzerland). In the first ’90s she’d record another live record abroad, this time around in the Olympia (Paris, France), Ao Vivo No Olympia. In 1999, Carvalho got another big nationwide hit in the air with “Samba De Arerê” (Xande de Pilares/Arlindo Cruz/Mauro Jr.), through the live Compact disc Pagode De Mesa.
|1||Daughter of João Francisco Leal de Carvalho and Maria Nair Santos.|
|2||Daughter Luana Carvalho was born on February 1981.|
|3||Has a sister named Vânia Santos Leal de Carvalho.|
|4||Brazilian singer of MPB - Música Popular Brasileira (Popular Brazilian Music).|
|Cheias de Charme||2012||TV Series performer: "Se Vira"|
|Vidas em Jogo||2011||TV Series performer: "Chiclete com Banana"|
|Rio Sex Comedy||2010||performer: "1800 Colinas"|
|Caminho das Índias||2009||TV Series performer: "Amor de Verdade"|
|Cidade do Samba||2007||Video performer: "Deixa a Vida Me Levar"|
|O Outro||1987||TV Series performer: "Fogo de Saudade"|
|Roque Santeiro||1985||TV Series performer: "Malandro Sou Eu"|
|Pai Herói||1979||TV Series performer - 1 episode|
|Damas do Samba||2013||Documentary||Herself|
|Altas Horas||2013||TV Series||Herself|
|Nelson Sargento: Mémoria do Samba||2012||Video||Herself|
|Som Brasil||2011||TV Series||Herself|
|Criança Esperança||2011||TV Movie||Herself|
|Alô, Alô, Terezinha!||2009||Documentary|
|Cidade do Samba||2007||Video||Herself|
|Linha Direta||2005||TV Series||Herself|
|Os Melhores do Samba||2004||Video documentary||Herself|
|Banda de Ipanema - Folia de Albino||2003||Documentary||Herself|
|Chiquinha Gonzaga||1999||TV Mini-Series||Herself|
|Som Brasil||2010||TV Series||Herself|
|Cartola - Música Para os Olhos||2007||Video documentary||Herself|
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