Home / Biography / Bessie Jackson

Bessie Jackson


Bessie Jackson was a pseudonym for Lucille Bogan, a vintage female blues musician in the ’20s and ’30s whose outspoken lyrics cope with sexuality in a fashion that manages to improve eyebrows even in just a genre that’s about as awful as recorded music ever got before the introduction of artists such as for example 2 Live Staff or Ludacris. The name transformation appears to be quite different in her case when compared to a design among blues performers who documented under various other names only to make a finish operate around pre-existing documenting contracts. Jackson/Bogan appeared to be searching for something bigger for the reason that she not merely transformed her name but her functionality style aswell, and never documented once again beneath the name of Lucille Bogan once again after the Jackson persona acquired emerged. This is despite having appreciated popular record within the so-called “competition marketplace” in 1927 using the melody “Special Petunia” as Bogan, but probably this is a aroma she was attempting to cover up from. This performer arrived from the incredibly active blues picture of Birmingham, AL, within the ’20s. She was created Lucille Anderson in Mississippi, picking right up Bogan being a wedded name. She was the aunt of pianist and trumpet participant Thomas “Big Music” Anderson. She produced her initial recordings from the music “Lonesome Daddy Blues” and “Pawnshop Blues” in 1923 in NEW YORK for the OKeh label. Regardless of the blues research in the game titles, these were even more vaudeville amounts. She shifted to Chicago a couple of years later and created a huge pursuing within the Windy Town before relocating to NEW YORK in the first ’30s, where she started an extended collaborative romantic relationship with pianist Walter Roland. This is the sort of musical mixture that lots of songwriters and performers only dream of; he was an ideal foil, knew what things to play on the piano to draw out the very best in her tone of voice, and was this type of sympathetic partner it really is hard to learn where her concepts begin and his end, no real matter what name she was using. The set made a lot more than 100 information collectively before she ceased documenting in 1935. Probably one of the most infamous from the Jackson edges is the music “B.D. Woman’s Blues,” which 75 years later on packs even more of a punch compared to the lesbian-themed materials of artists such as for example Holly Near or the Indigo Women: “B.D.” was brief for “bull dykes,” in the end, as well as the blues vocalist lays it directly on the range using the starting verse: “Comin’ a period, ladies ain’t gonna require no guys.” Well, aside from an excellent piano player such as for example Walter Roland or a few of her various other hot-shot accompanists, such as for example guitarists Tampa Crimson and Josh Light or banjo picker Papa Charlie Jackson. She herself gets an accordion credit using one early documenting, quite unusual because of this genre. One among her greatest abilities was being a songwriter, and she copyrighted a large number of titles, most of them therefore original that various other blues artists had been forced to provide credit where credit was credited rather than whipping up “matcher” imitations as was a lot more than typical. She still had written tracks during her old age surviving in California, and her last structure was “Gonna Keep City,” which ended up being a significant prophetic name. By enough time Smokey Hogg slice the listen in 1949, Jackson actually got left city, having passed on the previous yr from coronary sclerosis. As the materials of some performers out of this period is becoming largely forgotten, that is hardly the situation on her behalf. Saffire: The Uppity Blues Ladies have recorded many of her tracks, as offers bandmember Ann Rabson on her behalf solo projects, along with the naughty novelty music group the Asylum Road Spankers.

Quick Facts

Full Name Lucille Bogan
Profession Singer
Nationality American
Music Songs Shave 'Em Dry, Bd Womans Blues, Sloppy Drunk Blues, Stew Meat Blues, Till the Cows Come Home, Pot Hound Blues, Black Angel Blues, Coffee Grindin' Blues, Skin Game Blues, Barbecue Bess, Groceries On the Shelf, Baking Powder Blues, Tired as I Can Be, Drinking Blues, I Hate That Train Called the M & O, Boogan Ways Blues, Jump Steady Daddy, Superstitious Blues, Pig Iron Sally, My Georgia Grind, Reckless Woman, Man Stealer Blues, Pay Roll Blues, Bo-Easy Blues, Jim Tampa Blues, Struttin' My Stuff, New Way Blues, Down in Boogie Alley, The Pawn Shop Blues, Walkin' Blues, Changed Ways Blues, Tricks Ain't Walking No More
Albums Lucille Bogan (Bessie Jackson) Vol. 1 [1923-1930], As Bessie Jackson: Reckless Woman 1927-1935 (Blues Collection Historic Recordings) [feat. Walter Roland], Lucille Bogan (Bessie Jackson) Vol. 3 (1934-1935), Shave 'Em Dry: The Best of Lucille Bogan, Lucille Bogan (Bessie Jackson) - Complete Recorded Works In Chronological Order - Volume 3 (30 July 1934 to 8 March 1935), Outspoken, Complete Recorded Works, Volume 1, Complete Recorded Works, Volume 2, Lucille Bogan (1923-1935), Reckless Woman: 1927-1935, Reckless Woman, Complete Recorded Works, Volume 3

  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
  • Pictures

Looks like we don't have interesting facts information. Sorry!



Melvin and Howard 1980 special thanks

Looks like we don't have awards information. Sorry!

Looks like we don't have salary information. Sorry!

Looks like we don't have quotes information. Sorry!

Looks like we don't have trademarks information. Sorry!

Looks like we don't have pictures. Sorry!

Check Also

Toni Price

Vocalist and track stylist Toni Price’s initial contact with blues was through second-generation blueswoman Bonnie …

Leave a Reply

Your email address will not be published. Required fields are marked *