Alsatian organist and composer Bernhard Schmid the Elder (also known as “B. Schmid d’Ä in a few resources, or “Bernhard Schmidt”) was the kid of another Bernhard Schmid, an administrative formal in the after that free town of Strasbourg. Schmid was informed in Strasbourg and initial reference to him originates from his relationship certificate dated Oct 31, 1552. In 1562, Schmid assumed the dual content of organist at Strasbourg Cathedral through the Xmas season with the Thomaskirche in Strasbourg through all of those other year. His kid, also called Bernhard Schmid (today called “younger”) was created in 1567. In 1577, Schmid the Elder released Zwey Bücher einer Neuen Kunstlichen Tabulatur auff Orgel und Device, a significant and well-known early print comprising two amounts, the first completely devoted to key pad intabulations of vocal functions — mainly by Orlandus Lassus — and the next carrying on the intabulations but adding 16 dances that are evidently original or modified from folk materials. Schmid also appreciated some prominence being a poet — there are always a couple of Latin poems dispersed through the entire Zwey Bücher, and indie types of his poetry survive in various other resources. In early 1592, Schmid retired from his post at Strasbourg Cathedral to be able to suppose a lighter responsibility at Jung-St. Peter-Kirche, but passed away within the entire year. As the intabulations of functions of additional composers dominate the Zwey Bücher, the 16 dances by the end are the functions that have loved some currency today. Schmid’s publication carries a useful guidebook to reading the tablature used, which is within the “fresh German” format, and quite comprehensive in its usage of ornamentation, uncommon in keyboard images this early. As the publication is definitely ostensibly for body organ, Schmid obviously designed it for make use of on all key pad instruments of that time period.