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Benzino could be a rapper, but he’s greater known for his disrepute, specifically the discredit he taken to THE ORIGINAL SOURCE, after the leading rap music mag. No stranger to controversy, Benzino was lengthy suffering from scandal, from a 1992 occurrence using the Boston law enforcement that drove Tommy Boy Information to drop his group the Almighty RSO from its documenting contract due to “One in the Chamba” (a “Cop Killer” knockoff); to his relationship with David Mays, co-owner of THE FOUNDATION, which he utilized to market himself and his music affiliates in the web pages of the mag; to his relentless strike on Eminem and, by expansion, Interscope Information in the name of racism; to his eventual termination from THE FOUNDATION by its table of directors in 2006 as well as the lawsuits that adopted. Given all the controversy connected with Benzino, his rap profession was often created off as unimportant, only byproduct of the energy he kept as an professional at THE FOUNDATION. However while his disrepute do actually inflict irreversible damage upon his music profession, especially his trustworthiness, Benzino was a prolonged rapper: regardless of how many occasions his recordings didn’t inspire a practical following, and therefore a significant label that could continue steadily to support him when confronted with anemic product sales and mounting controversy, he doggedly held rapping and held recording fresh albums, whether or not or not really they dropped upon deaf ears. Originally referred to as Raydog (aka Ray Dogg), the Boston rapper/maker (given birth to Ray Scott on Oct 24, 1965) started his rap profession within the group Almighty RSO (i.e., Roxbury Road Organization, Real Solid Organization, Rock and roll Sh*t On, Ray Scott Business — consider your pick and choose). Comprised also of DJ Deff Jeff, Tony Rhome, and E-Devious, the Almighty RSO produced their saving debut in 1986 on Shoe Information with the THE BEST Show on the planet 12″ one. The group’s second discharge, the We’ll Keep in mind You 12″ (1987), also on Shoe, acknowledged Raydog with creation. The Almighty RSO was ultimately agreed upon in 1991 by Tommy Boy Information, which released the group’s one “One in the Chamba” the next year. The tune advocated self-defense when confronted with law enforcement brutality; obviously, the Boston law enforcement department and regional police advocacy groupings didn’t enjoy the tune, and subsequently mounted a pr advertising campaign in opposition. For this same period, in 1992, a nation-wide controversy got broken out on the Body Count number tune “Cop Killer,” created and sung by rapper Ice-T. Warner Brothers, which got released “Cop Killer,” taken care of immediately general public pressure by tugging the track from your recording which it originated, Body Count number, and shedding the group from your label. Tommy Young man, which was written by Warner Brothers, taken care of immediately the controversy in an identical fashion, shedding the Almighty RSO such as a scorching potato due to “One in tha Chamba.” Epic Information subsidiary Flavor Device next agreed upon the group, as well as the Almighty RSO flaunted their newfound infamy on the debut one for the label, “Badd Boyz,” which made an appearance in the compilation Move wit tha Flava (1993). The offer with Epic didn’t last very much past that certain tune, nevertheless, and RCA was another label to provide the group a go, launching the Revenge of da Badd Boyz EP in 1994. This offer was short-lived, as well, as well as the Almighty RSO shifted to Rap-a-Lot Information for Doomsday: Forever RSO (1996). The full-length recording, the group’s 1st, boasted the solitary “YOU WILL BE My Boo,” offering Faith Evans, and it is significant for crediting David Mays, the group’s supervisor, among the album’s professional producers. At that time, Mays was publisher of THE FOUNDATION, a publication he’d co-founded in 1988 with Jon Shecter, his dorm partner at Harvard University or college. In 1994 Mays experienced individually authored a three-age profile from the Almighty RSO that, contrary to the desires of his editorial personnel — for apparent ethical factors, as Mays had not been just the group’s supervisor but a good friend of Benzino — was published under a fake byline in THE FOUNDATION. To produce a lengthy, many-sided story brief, a lot of the magazine’s editorial personnel give up in protest. (Benzino acquired allegedly informed staffers that he’d “place niggas in body luggage” if his group wasn’t provided favorable insurance.) Doomsday proclaimed the end from the Almighty RSO, and point Benzino produced the group Produced Men (made up of himself, Antonio Double Thou, and Mr. Gzus) as well as the creation group Hangmen 3 (made up of himself, Jeff 2 TIMES, and Johnny Bananas, the group had technically produced their debut on Doomsday). Produced Males debuted in 1998 on Restless Information with the solitary “COULD IT BE You? (Déj? Vu),” offering Master P, plus they also had been presented on DJ Idea?’s The Professional (1998) soon thereafter, with “Produced Males.” The full-length recording Classic Limited Release (1999) adopted, plus a second solitary, “Simply You and I.” Whereas the Almighty RSO have been a group work, Made Males was obviously a Benzino-helmed task: he was acknowledged as professional maker, co-produced lots of the paths with Hangmen 3, and opened up the recording with “Benzino’s Thoughts (Interlude).” Traditional Limited Release was fulfilled with critical compliment from some sides, most notably THE FOUNDATION, which honored the record four . 5 (away from five) “mics” — a near-perfect ranking. A Hangmen 3 record, No Skits, Vol. 1 (2000), was another Benzino project revealed, that one on Surrender Information; featuring a selection of Boston rappers in the Made Guys and Wiseguys collectives, the record was highlighted with the melody “Holla Back again (Holla Boston).” Within Hangmen 3, Benzino also gained credits on albums by Prodigy (making the melody “What U Rep” from H.N.We.C., 2000), Nas (“Stillmatic [The Intro],” Stillmatic, 2001), Cormega (“Verbal Graffiti,” THE REAL Signifying, 2002), and Raekwon (“Globe from the Apes,” The Lex Gemstone Tale, 2003). In 2001, Benzino was put into The Source’s masthead like a co-owner and, authorized to Motown, produced his single debut using the Benzino Task. The recording spawned a set of singles, “Boottee” and “Bang ta This,” and presented more information on high-profile guests, included in this P. Diddy, Snoop Dogg, Bobby Dark brown, Red, and Teddy Riley. THE FOUNDATION, needless to say, was supportive, though actually the magazine’s self-promotion couldn’t compel customers to get The Benzino Task, which sold just 75,000 copies total. Motown lowered Benzino months following the album’s launch. An article released in the Dec 2001 problem of GQ by Maximillian Potter may experienced something regarding Motown’s decision. In this article, entitled “Addressing the foundation,” Potter complete the magazine’s insufficient editorial integrity, sketching from accounts of previous Source executives such as for example previous music editor Reginald Dennis and co-founder John Shecter. Specifically, Potter complete Mays’ longtime romantic relationship with Benzino, including brushes with regulations. The article provided a unfavorable watch of both Supply and Benzino, thus giving Motown even more motivation beyond unsatisfactory product sales to drop the believe rapper (and demand which the unrecouped stability of $773,000 end up being compensated with marketing space within the journal). The get better at tapes towards the Benzino Project visited Surrender Information, which re-released the recording because the Benzino Remix Task in 2002. Though tagged like a “remix” recording, it differed just slightly from the initial Motown launch: especially, different variations of “Bang ta Dis,” “Figadoh,” and “Boottee” that highlighted different guests however the same beats. Along with his popularity now involved, Benzino made a decision to strike Eminem. Honestly, The Source got under no circumstances been friendly towards the white rapper; for example, it provided his 2000 record The Marshall Mathers LP a measely two mics (away from five), that was this outrage that this publication needed to re-rate the recording at four mics after an avalanche of audience issues. But Benzino managed to get personal with “Draw Up Your Skirt” (as with, “I’m gonna draw your skirt up, expose your accurate sex”; additional choice lyrics including “The 2003 Vanilla Snow the method that you playin’ it” in addition to “You was Unsigned Buzz [a Supply accolade honored to Eminem years prior] before you decide to ever fulfilled Dre/I birthed your small profession, now you borrowed from your daily life to Ray/The five-mic giver, the Marshall Maggot ripper”). The tune was included on Benzino’s second record, Redemption (2002), that was released by way of a main label (Elektra) and spawned a set of singles (“Rock and roll the Party,” “CAN YOU”) yet marketed only 20,000 copies. As a result, Elektra decreased the rapper without delay. Meanwhile, THE FOUNDATION was publishing content articles crucial of Eminem (e.g., “The Intolerable Whiteness of Emceeing: The actual Eminence of Eminem Says On the subject of Race”); in a single issue, the publication actually included a pullout poster of Benzino supporting Eminem’s severed mind. Finally, Eminem responded with two tunes, “The Sauce” and “Toenail within the Coffin,” the previous attacking the reliability of THE FOUNDATION as well as the last mentioned ridiculing Benzino being a rapper (e.g., “This motherf*cker, guy, simply won’t shut up, do you want to?/Talk about I actually owe you; bitch, you borrowed from me!/I’m promoting you best today/Man, let’s place the toe nail in his coffin”). Never to end up being outdone, Benzino released the tune “Die A LATER DATE,” where he likened Eminem to David Duke and Hitler; likened himself to Malcolm X; and warned Eminem’s child that she might find yourself lifeless. The feud continuing to escalate, to the stage where Eminem finally sued THE FOUNDATION for defamation and copyright infringement. The Eminem saga apart, Benzino released his third recording, Arch Nemesis (2005), individually on ZNO Information. Mays, who backed the tarnished rapper through dense and slim, was acknowledged as co-executive manufacturer. The recording presented efforts from Lil Jon, Scott Storch, and also 2Pac; the most recent assault on Eminem (“CONSIDER My Eye”); as well as the solitary “Wide Body.” Still, the recording sold approximately 10,000 copies, charting an additional decrease in Benzino’s reputation and commercial charm. Also in 2005, the downturn in marketing at THE FOUNDATION — as Interscope, Def Jam, Tommy Boy, Virgin, Motown, and General, amongst others, staged a boycott — was therefore harming that Benzino announced that he’d end up being moving down from his post on the newspaper. For a couple days, that’s, as Benzino came back to THE FOUNDATION in just a week’s period and provided a convoluted description for his activities. Upheaval on the journal continuing as Joshua “Fahiym” Ratcliffe, who was simply appointed editor-in-chief in March, resigned in August after Mays and Benzino alledgedly aimed him to downgrade the ranking for Small Brother’s The Minstrel Display. Also in 2005, previous Editor-in-Chief Kimberly Osorio (i.e., Ratcliffe’s forerunner) submitted a lawsuit against THE FOUNDATION alleging intimate harassment, gender discrimination, defamation, retaliatory release, and keeping a hostile work place; she was eventually awarded a view for $7.5 million, and THE FOUNDATION was forced to seek bankruptcy relief protection. Benzino was threatened with removal in the courtroom through the eight-day path. In 2006 The Source’s plank of directors voted to eliminate Mays and Benzino in the newspaper due to all of the harm they’d wrought during the period of their tenure. As dogged as ever, Benzino came back in 2007 using the Antidote, his try to re-establish his rap profession. The record was separately released and highlighted the very first 48, his brand-new posse. Benzino also produced his go back to mass media, creating the tabloid HIPHOP Regular with Mays.

Quick Facts

Full Name Benzino
Height 1.6 m
Profession Actor, Rapper, Music Producer, TV Personality
Education Harvard University
Nationality American
Children Taj Collins, Brittany Collins
Parents Edward DeJesus, Mary Scott
Siblings Maureen Scott, Anita Scott-Wilson
Partner Althea Heart, Althea Heart
Music Groups Made Men
Music Songs Rock the Party, Pull Your Skirt Up, Who Is Benzino?, Bang ta Dis, Figadoh, Look Into My Eyes, Feel Your Pain, Would You, Trying to Make It Through, Pull Ya Skirt Up, Bootee, Got No Weed, Bottles & Up, What's Really Good, Shine Like My Son, Go Hard, We Reppin' Y'all, Diffrent Kind of Lady, I Remember, No Parts of Us, Nobody Liver, Dat's How It Goes, Ghetto Child, Picture This, Call My Name, Make You Wanna Holla, Redemption, 44 Cal Killa, Gangsta's Touch, Halfway, Neva Shuvin, U Can't Handle It
Albums Arch Nemesis, Redemption, The Benzino Remix Project, The Benzino Project, Love Stoned, The Antidote
Movies Bloodline: Sibling Rivalry, Hollywood Hearts
TV Shows The Next :15, Love & Hip Hop: Atlanta

  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
  • Pictures

1 Is half Puerto Rican.



Hollywood Hearts 2016 TV Movie Benzino
Town Bizzness Pt 2 2014 Video
Single Ladies 2014 TV Series Dominic
Baghdad 2011 Benzino
Bloodline 2005 Kilo
Da Hip Hop Witch 2000 Video



I Spy 2002 performer: "Rock The Party" - as Benzino
Original Gangstas 1996 writer: "War's On" - as Ray dog



How Deep Is Your Love 2012 Video short



Turnt 2017 Documentary Meko
The Next 15 2016 TV Series Himself
Marriage Boot Camp: Reality Stars 2015-2016 TV Series Himself
2014 Soul Train Awards 2014 TV Movie Himself
Love & Hip Hop: Atlanta 2012-2014 TV Series Himself
RapFix Live 2012 TV Series Himself
Scarface: Origins of a Hip Hop Classic 2003 Video documentary short Himself, The Source
Soul Train 2003 TV Series Himself
Source Awards 2001 2001 TV Special Himself

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