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Benny Golson

Benny Golson is really a talented composer/arranger whose tenor taking part in offers continued to evolve as time passes. After going to Howard University or college (1947-1950) he worked well in Philadelphia with Bull Moose Jackson’s R&B music group (1951) at the same time when it included one of is own composing affects, Tadd Dameron on piano. Golson used Dameron for an interval in 1953, accompanied by stints with Lionel Hampton (1953-1954), and Johnny Hodges and Earl Bostic (1954-1956). He found prominence while with Dizzy Gillespie’s globetrotting big music group (1956-1958), just as much for his composing for his tenor playing (the second option was most affected by Don Byas and Lucky Thompson). Golson published such requirements as “I RECALL Clifford” (for the past due Clifford Dark brown), “Killer Joe,” “Stablemates,” “Whisper Not really,” “Along Arrived Betty,” and “Blues March” during 1956-1960. His stick with Artwork Blakey’s Jazz Messengers (1958-1959) was significant, and during 1959-1962 he co-led the Jazztet with Artwork Farmer. In the future Golson steadily drifted from jazz and focused more on employed in the studios along with orchestras including spending a year or two in European countries (1964-1966). When Golson came back to energetic playing in 1977, his firmness experienced hardened and sounded very much nearer to Archie Shepp than to Don Byas. Apart from an unfortunate industrial work for Columbia in 1977, Golson offers recorded regularly rewarding albums (many for Japan labels) after that including a reunion with Artwork Farmer and Curtis Fuller in a fresh Jazztet. Over time he has documented as a innovator for Modern, Riverside, United Performers, New Jazz, Argo, Mercury, and Dreyfus amongst others. Returning once more to the soul of the initial Jazztet, Golson released New Period, New ‘Tet on Concord Information in ’09 2009.

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