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Benjamin Bagby


Benjamin Bagby has taken the music from the European DARK AGES to an internationally audience for many decades. With levels from Oberlin Conservatory and Oberlin University, Bagby pursued his joint passions of vocal efficiency and German books; he was the very first Oberlin graduate ever to focus on early music. Concurrently, he was executing broadly across two continents using the professional early music ensemble NY Pro Musica. A Thomas J. Watson Fellowship allowed Bagby a focused year of personal study in neuro-scientific middle ages tune after graduation. His following studies on the Schola Cantorum of Basel resulted in an advanced level in middle ages music (honored in 1977), as well as the origins of an extended cooperation with Barbara Thornton within the middle ages ensemble Sequentia. Since Thornton’s loss of life in 1998, Bagby continues to be sole director from the ensemble. He in addition has continued a single profession with celebrated recitations of Anglo-Saxon poetry, including a self-accompanied vocal and harp efficiency of “Beowulf.” Bagby founded a male vocal ensemble for middle ages tune and chant, the Sons of Thunder, and he provides written thoroughly on problems in middle ages efficiency practice and offered visitor professorships at Case Traditional western Reserve College or university and Indiana College or university. Bagby as well as the various other people of Sequentia talk about their insights and analysis, aswell, in some intensive efficiency practice courses both in Europe and america. The middle ages music ensemble Sequentia, founded by Bagby and Barbara Thornton in 1977, continues to be his most noticeable contribution to the first music revival. The unique objective of the group offers been to art novel applications of music and poetry, supported by careful study, and to try to re-create “living musical customs” from past age groups. Though located in Cologne, Germany, the ensemble offers toured to all or any six continents and released a lot of recordings on Deutsche Harmonia Mundi. They will have presented music of middle ages Spain, Italy, Aquitania, and Germany, and also have recorded the entire functions of Abbess Hildegard von Bingen. Their trips have featured completely staged theatrical renditions of Hildegard’s morality play Ordo Vitutem, the Bordesholmer Marienklage, the “Cividale Planctus marie,” as well as the Aged Icelandic epic poem “The Edda.” Documenting honours to Bagby and Sequentia possess included the Deutsche Schallplattenpreis, the International Compact disc Reward Frankfurt, the Edison Reward of holland, the Innsbruck Radio Reward, the French Disque d’Or and Diapason d’Or, along with a Grammy nomination for the Hildegard documenting Canticles of Ecstasy. His considerable research around the Beowulf epic led to a solo overall performance that he offers delivered widely, which premiered on DVD in 2007. Bagby offers served like a going to scholar at several colleges, including Wellesley University and Harvard, and in 2005 he became a member of the faculty from the Sorbonne, Paris.

Quick Facts

Full Name Benjamin Bagby
Education Oberlin Conservatory of Music, Oberlin College
Music Groups Sequentia
Music Songs Don't Surrender, O rubor sanguinis, Nunc aperuit nobis, Christus vincit, O ignis spiritus Paracliti, Lux refulget, O Pastor Animarum, O viridissima virga, Ave, Ave Maria, O auctrix vite, Instrumental piece, Caritas habundat in omnia, Clavus pungens acumine, O nobilissima viriditas, Ora pro nobis beate Nicolae, Ad dominum dum tribularer, Wer ist, die da durchleuchtet, Veritas, equitas, Quia ergo femina mortem instruxit, Alma Redemptoris Mater, Omnis curet homo, Venite, populi, Congaudet hodie, Si vis vera frui luce, Sol oritur in sydere, Durch Barbarei, Arabia, O virga mediatrix, O quam magnum miraculum, Spiritus Sanctus vivificans vite, O vis aeternitatis, Collegerunt pontifices, Infinite Horizon, Spiritui Sancto honor sit
Albums Canticles of Ecstasy, Chant Wars, Chill To the Chant, Sequentia Edition, Edda - Myths from Medieval Iceland, Lost Songs of a Rhineland Harper, Hildegard von Bingen: Saints, Trouveres:Höfische Liebeslieder aus Nordfrankreich, Bingen: Symphoniae
Movies Beowulf

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Beowulf 2007 Video documentary Himself

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1 [observation, 2014] Over the past twenty years things have loosened up , and new ways of listening to music have come into the early music community. It's become about plugging into the emotional world of past cultures which we can access today. That's what I mean about authenticity - authenticity of affect and perception.

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