Saxophonist Ben Wendel can be an adventurous improviser and composer having a bent toward genre-bending jazz. Given birth to in Vancouver and elevated in Santa Monica, California, Wendel was raised in a innovative, musically inclined family members. Encouraged to go after music from a age group by his mom, opera soprano and arts administrator Dale Franzen, Wendel began within the piano at age group five and started playing the saxophone around age group ten. In his teenagers, he well balanced his time taken between playing saxophone and bassoon and hearing an eclectic mixture of music from jazz and traditional to hip-hop. After senior high school, Wendel analyzed in the Eastman College of Music, where he befriended potential bandmates trumpeter Shane Endsley, keyboardist Adam Benjamin, and bassist Kaveh Rastegar. Upon graduating, each of them relocated to LA and created the experimental ensemble Kneebody alongside California Institute from the Arts graduate and drummer Nate Solid wood. As an associate of Kneebody, Wendel garnered acclaim for such albums as 2005’s Kneebody and 2007’s Low Electrical Employee, both released on trumpeter Dave Douglas’ Greenleaf Information label. In ’09 2009, the group gained a Grammy nomination for Twelve Music by Charles Ives, a collaborative record with vocalist Theo Bleckmann. By himself, Wendel spent some time working using a bevy of respectable jazz performers including Todd Sickafoose, Taylor Eigsti, Tigran Hamasyan, among others. He also offers a long-running cooperation with digital musician Alfred Darlington (aka Daedelus), a previous senior high school classmate. Being a head, Wendel debuted in ’09 2009 with Basic Song, implemented in 2012 by Body. He then matched with pianist Dan Tepfer for 2013’s Little Constructions. Also in 2013, he reunited along with his Kneebody bandmates for Series on Concord. 2 yrs afterwards, the saxophonist was back again with Kneebody for Kneedelus, a cooperation with Daedelus on Brainfeeder. In 2016, Wendel shipped his third full-length single record, the acoustic contemporary creative-leaning WHAT WE SHOULD Bring, offering pianist Gerald Clayton, bassist Joe Sanders, and drummer Henry Cole.
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