Beatrice Dillon is a London-based experimental techno manufacturer, DJ, and composer whose function is influenced by electro-acoustic music, avant-garde jazz, dub, and minimalism. She’s as comfy rotating back-to-back DJ models with famous brands Kassem Mosse and Ben UFO as she actually is composing commissioned functions for installations. After debuting being a DJ in past due 2011, she performed concerts with Claire Hooper and Karen Gwyer in 2012. The next season, she collaborated with engineer/musician Rupert Clervaux, drummer Charles Hayward, Eben Bull, and Planting season High heel Jack’s John Coxon and Ashley Wales on a bit called Disarm together with musician Pedro Reyes at London’s Lisson Gallery. The music to the piece was made entirely using musical instruments crafted from decommissioned guns, as well as the gallery released the documenting on vinyl fabric. Dillon then finished a combination for the podcast series Blowing In the Workshop, and a mixture of African music entitled Folkways II, released with the Trilogy Tapes. Her initial solo discharge of original materials was the 2014 cassette Blues Dances on Where you can Today? The one-sided 12″ Series 1 (in cooperation with Clervaux) premiered from the Vinyl Factory soon after. Dillon started hosting a regular monthly radio system on London-based online radio train station NTS beginning in January of 2015. She continuing carrying out live concerts and DJ units through the entire U.K. and European countries, sharing phases with Demdike Stare, Elysia Crampton, Heatsick, as well as others. Her 1st 12″ single, Encounter A/B, made an appearance on Where you can Right now? in 2015, and Research I-XVII for Samplers and Percussion (another cooperation with Clervaux) made an appearance the same 12 months to crucial acclaim. In 2016, Dillon distributed a mixtape with Ben UFO (released by Dutch label Wichelroede), Dillon and Clervaux’s Two Adjustments was released by Paralaxe Editions, and a break up 12″ solitary by Dillon and Gwyer made an appearance on Alien Jams.