The original seeds of Brooklyn-based Keep in Heaven were planted in 1998 for Jon Philpot, who was simply then still surviving in his hometown of Atlanta, expressing his musical ideas through the off hours of an area recording studio. After he transferred to Brooklyn by the end from the 10 years, Philpot continued focusing on his music, including the duo Presocratics, who released several records over the experimental label Desk of sun and rain. During the following year or two, as more close friends and affiliates from Atlanta as well as the South transferred to Brooklyn, Philpot started assembling the band of musicians who later constitute the music group. In 2003 he released (beneath the Keep in Heaven moniker but nonetheless ostensibly being a single task) the EP Music Nextdoor to Music on Eastern Advancements, the label possessed by Scott Herren, aka Prefuse 73. Shortly, nevertheless, he added bassist and keyboardist Sadek Bazaraa, guitarist and bassist Adam Wills (who acquired toured with Rhys Chatham’s acoustic guitar trio), bassist Wayne Elliott (who he previously met soon after shifting to Brooklyn and was among the founders from the Sociable Registry label), guitarist David Daniell, and drummer Joe Stickney and started work on songs. In 2005, Daniell remaining to pursue his personal project, and the rest of the quartet began documenting the full-length Crimson Bloom from the Boom, soon after which Elliott departed to utilize the then unfamiliar College of Seven Bells and pursue his personal electronic single task, Ateleia. The recording premiered in 2007 on Hometapes, and drew early evaluations to rings like Radiohead, Pet Collective, and may. In Oct 2009, Carry in Heaven’s second recording, the slightly much less ambient Beast Rest Forth Mouth area, came out, making reviews that are positive and garnering the group some desired places at that year’s CMJ event in NY. Carry in Heaven would tour endlessly as their viewers grew with an increase of positive press for Beast Rest Forth Mouth area. They performed over 200 displays to get the recording, and in August of 2010 a friend disk of remixes premiered. In early 2012 the music group finished focus on its third appropriate album, I REALLY LIKE You, It’s Great. To market the album, Carry in Heaven released a loading version on the website, using the audio slowed up 400,000 percent. This rendered the fairly poppy and brash recording an ambient clean of audio that extended for over 247 hours. The group’s 4th long-player, the shifting and introspective Period Is Over 1 DAY Old, implemented in 2014.