Baude Cordier

Baude Cordier means Baude the harper, indicating the composer was a courtroom musician. However the name of Baude Cordier is normally mounted on 11 making it through fourteenth hundred years compositions, he’s best known for just two functions inserted being a supplement towards the Codex Chantilly, the rondeaux Belle, bonne, sage, plaisant and Tout par compas suy composés. They are many uncommon by virtue of the look of them — the initial rondeau is normally inscribed by means of a center shape, and the second reason is circular in style. The written text of Tout par compas suy composés areas that its composer was created in Rheims. Scholars possess tentatively connected Cordier to a person — the harper Baude Fresnel (generally known as “Baude de Rains,” indicating from Rheims) who was simply hired in to the retinue of Burgundian duke Philip the Daring on January 10, 1384. When the duke journeyed to Avignon and Milan, Baude Fresnel can be shown to possess followed him. Fresnel wedded in 1395, but passed away in 1397 or 1398. Fresnel’s early loss of life complicates the problem of linking him towards the composer known in manuscripts as Baude Cordier, as the notational methods found in the Codex Chantilly items indicate a day ahead from 1400. This discussion, however, is dependant on the theory that his music in the Chantilly manuscript is indeed uniquely linked to the look features that just the composer could possess fashioned them. It isn’t beyond consideration an specifically skilled and smart scribe could possess created the ornamental manuscripts operating from old good examples that may or might not have already been designed this way. Cordier’s other functions are found in mere two resources. Seven of his rondeaux are documented in Oxford: Bodleian Library, MS Canonici Miscellaneous 213, an early on to mid-fifteenth hundred years source largely composed of old French compositions. Yet another rondeau ascribed to Cordier, Se cuer d’amant par soy humilier, and a Gloria by him is situated in Bologna: Civico Museo Bibliografico Musicale, Ms Q 15. Through the extant manuscripts it really is crystal clear that whoever he might have already been, Cordier had an authentic present for melody. Cordier’s function begins inside the complicated realm from the French ars subtilior, but eventually foreshadows the greater direct design of the fifteenth hundred years.