Within the wake of Barry McGuire’s ‘Eve Of Destruction’, this vocalist reached the united kingdom Top 50 in 1965 having a less bombastic ‘protest’ song in ‘Come Away Melinda’, issued on Columbia Files. St. John cannot, however, capitalize upon this moderate triumph with further graph entries. However, he was to get gainful employment like a program singer for performers such as for example Alexis Korner, Long John Baldry, Duster Bennett along with other titans from the past due 60s ‘blues growth’. Another 10 years brought a wider spectral range of function in both mainstream pop (Bryan Ferry, Cockney Rebel, Andy Fairweather-Low, Elton John) and off-beat tasks including Viv Stanshall, Kevin Coyne, John Cale and Daevid Allen. From the 80s, he numbered Red Floyd, Tom Robinson and Whitesnake among his illustrious customers.
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|American Masters||2010||TV Series documentary camera operator - 1 episode|
|Fox Report||2005-2010||TV Series show lighting director - 43 episodes|
|Mickey Donallo||2009||Short gaffer|
|Cachao: Uno Mas||2008||Documentary camera operator|
|Ready Player One||2018||vfx production supervisor post-production|
|The Jungle Book||2016||vfx associate producer|
|Furious 7||2015||lead visual effects coordinator: second unit|
|The Great Gatsby||2013||visual effects coordinator|
|Men in Black 3||2012||visual effects coordinator|
|C.S.A.: The Confederate States of America||2004||production assistant|
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