Barbara Pittman’s state to fame is the fact that she was the only real female musician signed to Sam Phillips’ Sunlight Information — other women recorded for the label, but only Pittman was presented with a agreement. That by itself would secure her place being a footnote in music background, but Pittman also lower one exalted rockabilly traditional during her Sunlight years: “I WANT a guy.” Pittman was among 12 children delivered to a family group in Memphis, TN, in 1943. Her mom was familiar with Gladys Presley, and Pittman went to the same college as Elvis. Pittman harbored musical ambitions from an early on age, and contacted Sunlight Information before she was a good teen. When she was changed away due to her age group, the dauntless Pittman discovered utilize a regional band (because of a suggestion by Elvis, Pittman says) before touring with traditional western superstar Lash Larou in 1955. Time for Memphis in 1956, Pittman started performing with Clyde Leoppard’s Snearly Ranch Guys and found are a demo vocalist for Stan Kesler, who hoped that her acquaintance with Presley would noticeably raise a song he previously earmarked for the favorite rock and roll & roller. The producing demonstration of “Playing for Helps to keep” persuaded Presley to record the track and brought Pittman to the eye of Sam Phillips. She slice the traditional “I WANT a guy” supported by users of Leoppard’s music group. The record was unsuccessful, but Pittman made an appearance on Sunlight package trips and continued to create recordings for Sunlight, many of that have been not really released. When additional labels expressed a pastime in Pittman in 1957, Phillips retaliated by giving her a agreement, making her the only real female artist to become honored thusly. Phillips allow her select whether she wished to record for Sunlight or his fresh Phillips International subsidiary, and Pittman chosen the second option because she believed it had a far more appealing label style. She recorded many sessions with Sunlight players like Billy Lee Riley and Expenses Justis, but her recordings ranged from teen-oriented pop to bluesy balladry, with small from the rockabilly and rock and roll & roll that she later will be celebrated. A one-off solitary using the vocal group the Sunrays also failed, and Pittman released her last Phillips solitary in 1960. Many radio stations considered the flip-side, “Eleventh Commandment,” blasphemous and prohibited it from airplay, additional crippling an currently doomed record. Pittman remaining Phillips International for Del-Fi, but no recordings had been issued. Through the entire ’60s she performed on cruise lines and armed service bases, and sang around the soundtracks of motorbike movies such as for example Wild Tires and Crazy Angels. Within the ’70s she wedded, and with the rockabilly revival her status grew as her Sunlight recordings had been reissued on compilation albums. In 1983 she created a music group in Houston, TX, and performed at Western rockabilly celebrations. Pittman’s legacy is made upon 3 or 4 essential tracks, however the squandered possibilities encircling this husky-voiced vocalist are almost as fascinating because the records she produced.