A grunge darling of J-rock, Aya entered the field following the genre died in the us alongside Kurt Cobain, but nonetheless managed to create a mix on japan scene and use primary American grunge rockers, including users of Pearl Jam, Soundgarden, and, yes, Nirvana. This profession trajectory obviously is due to the pent-up energy Aya gathered during her child years years spent inside a city of 2,000 around the north isle of Hokkaido. She 1st heard guitar at a Endeavors show in main school; it had been instant conversion. Quickly Aya started playing in an area girl music group playing punk addresses, but that wasn’t plenty of on her behalf, and, dropping from college at 15, she required to the street, finding yourself in Tokyo like a pub singer and currently a faithful Nirvana devotee. Her 1st chance at achievement arrived after she received a pop vocal competition, but the tale was cut brief by the loss of life of her songwriter; nevertheless, that produced Aya focus on her personal materials, which she honed by playing American armed service bases and Shibuya roads; several demos later on, she got a cope with BMG Japan. Provided her design, it arrived as no real surprise that she done her 1st professional record in Seattle’s Studio room X, where she collected a desire lineup of Kim Thayil (Soundgarden), Matt Cameron (Soundgarden and Pearl Jam), John McBain (Monster Magnet), and Glenn Slater (Walkabouts); for any producer, she got Adam Kasper, who caused Soundgarden, Pearl Jam, and Foo Fighters. The debut one “Hands” (the very first tune she ever had written) arrived in 2001, implemented that same season by “Crazy Mermaid,” and in 2002 her initial full-length came: Senjou No Hana have been documented in Seattle aswell, using the same music artists alongside Krist Novoselic of Nirvana. The discharge received great press in Japan in addition to Germany, and got Aya on the highway, where she do a solo tour and have scored a stint on Summertime Sonic, among Japan’s biggest fests, along with the starting slot machine for the 50,000-solid stadium gig of Japanese rock and roll tale Eikichi Yazawa. Her following record, the Kinjirareta Uta EP, was shipped in 2003 and completed without the American help, as Aya attemptedto present that she could stand on her behalf very own. It exercised — the streamlined rock and roll sound of Kinjirareta Uta was well received by critics, as well as the helping membership tour was sold-out. From then on Aya proceeded to record the epic Baghdad Sky, probably her magnum opus, which arrived in Japan and Germany in 2004, once again to good testimonials; Aya spent 2005 marketing it, and in 2006 she supplied the track “STARIGHTAWAY” for the anime series Le Chevalier d’Eon. After that, however, she required a hiatus.