German trumpeter Axel Dörner is first of all a group participant. Despite an evergrowing discography and an extremely busy performance plan, he is seldom noticed leading a program or delivering a solo record. Yet, he is rolling out perhaps one of the most exclusive voices in free of charge improvisation. Synchronized with various other Western european horn players like Radu Malfatti, John Butcher, and Franz Hautzinger, he created a totally different vocabulary for the trumpet in the past due ‘90s, beginning anew by concentrating on the audio of his breathing. With more than enough amplification, probably the most microscopic gestures appear to be digital flurries. But what distinguishes Dörner from these players is the fact that rather than turning this “brand-new way” right into a religious beliefs, he integrated it into his arsenal and continuing to execute with maximalist free of charge jazz organizations. Dörner came past due towards the trumpet. Given birth to in 1964 in Köln, Germany, he analyzed the piano, 1st in the conservatory in Arnhem, HOLLAND, in 1988-1989, and in the Musikhochschule in Köln. In 1991, he found trumpet as another instrument, learning with Malte Burba. Avant-garde jazz became a getaway from academia. During Köln he performed with Bruno Leicht because the Streetfighters. It really is throughout that period that he created his 1st group, the Axel Dörner Quartet with Frank Gratkowski, Hans Schneider, and Martin Blume, whom he’d later interact the international free of charge improv group Lines. He documented his first program in 1993 using the Treatment, a trio with Sebastian Gramß and Claus Wagner. In 1994, Dörner relocated to Berlin and dove mind first within the free of charge improv picture there, departing the piano behind. With saxophonist Rudi Mahall he began the Thelonious Monk tribute music group Pass away Enttäuschung. The set also became a member of old-school free of charge jazz drummer Sven-Ake Johansson’s group and later on created the Electrics. The trumpeter was drafted for Lawrence “Butch” Morris’ Berlin Skyscraper tour of 1995, which resulted in friendships with music artists located in London and regular membership within the Chris Burn off Outfit. He also became a normal collaborator with Alexander von Schlippenbach. Even while he started to develop his fresh methods, a hint of the procedure becoming illustrated by Claque (1998), his 1st album like a innovator, documented with Chicago improvisers Fred Lonberg-Holm and Michael Zerang. He previously an opportunity to explore his recently found curiosity with the brand new music ensemble Zeitkratzer where he kept a tenure for some time (documenting two discs together) and used it in little group improvisation with John Butcher and Xavier Charles in 2000-2001, a task that yielded the important album The Competition of Pleasures (2001). Trumpet (2001), his initial solo CD, displays what lengths he went with the idea of microscopic audio.
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