Through the perestroika era when young music artists around Russia were launching many years of pent-up artistic energy and frustration, AVIA increased to prominence within a sardonic fanfare, their symbolic rifles targeted at the Soviet cultural establishment. Their name was a protest alone, with “A” position for “anti” and “VIA” a well-known acronym for “vocal-instrumental ensembles” (a genre also called “estrada”), previously the just type of state-sanctioned well-known music. AVIA had been formed within a concerted work toward sincere, smart pop music, and a fresh starting for the genre. Highly conceptual in character, AVIA’s stage displays — which progressed to include complicated choreographed dances and military-style outfits mocking Soviet propaganda artwork from the 1930s — verged even more toward parody and satire than earnest creative expression. AVIA started as the musical alliance of three vanguard music artists from the Leningrad experimental rock and roll scene. Initial playing collectively in Strannye Igry (Unusual Games), later known as just Igry (Video games), Nikolai Gusev (key pad, vocals), Aleksei Pahov (saxophone, acoustic guitar, bass, accordion, vocals), and Aleksandr Kondrashkin created the group after a short-lived cooperation with Manufactura (Produce). The group debuted in Dec of 1986 in the Lenin Home of Tradition, playing their Iz Zhizni Komozitora Zudova (From the life span from the Composer Zudov) system composed of brief, melodic fresh wave ditties. Documented inside a friend’s house studio room, this program became their 1st cassette-tape recording, though it hasn’t been officially released. Another 12 months mime Anton Adasinskov became a member of the trio, with explosive outcomes. Under his impact, AVIA strengthened the episode of their concert events, soon dealing with a big ensemble of stars, dancers, and music artists. The merchandise was a greatly satirized inquiry into how artwork have been mangled and manipulated under Soviet control, concentrating on probably the most grotesque areas of totalitarian propaganda artwork from the 1930s. Stiff synchronized dance routines and Soviet armed service and populist designs became their on-stage ethos. Their make of “totalitarian rock and roll” quickly discovered a group of fans among the Soviet-curious countries of Traditional western Europe, where, beginning in 1987, AVIA performed frequently. Musically, AVIA had been attracted, like many modern groups, towards the synth-heavy chords of fresh influx. But from its 1st lighthearted system, the band’s music became even more complex and embellished to maintain pace using its dramatic stage display. In 1988 the federal government monopoly label Melodiya released another recording, Avia Vsem! (Avia for everybody!). 2 yrs later, the recording was re-released on Great Britain’s Hannibal Information. In 1989, a 12 months after AVIA’s 1st official launch on Melodiya, the music group broke from its theatrical ensemble, creating a fresh horn section that included Evgeniy Skoblov (tuba) and Valeriy Kuteynikov (trombone). In 1990 the brand new lineup debuted with Navstrechu 1000-Letiu Velikogo Oktyabra (The Getting close to 1000-Year Wedding anniversary of Great Oct), another satirical poke in the Soviet tradition of special event and ritual. Another 2 yrs brought a incomplete hiatus for the group, whose users were pursuing an array of additional projects. Kondrashkin experienced remaining the group, playing somewhere else inside a reunion of Strannye Igry and additional organizations including Aquarium, Chizh & Co., and Sound and Playthings. Gusev worked being a documentary filmmaker and studio room engineer. non-etheless, in 1992 the Lithuanian label Zona released their record Ura! (Hooray!). In 1994 the three first associates reunited briefly to record the overall Records record Pesni o Prirode i Lubvi (Music About Character and Like). Ten years of silence implemented, broken with the 2005 archive treasure Zhizn Posle Zhizni (Lifestyle After Lifestyle), an record documented in the middle-’90s but previously unreleased.