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Austin Lounge Lizards


Relating to their name, Austin Lounge Lizards guitarist and founding member Conrad Deisler stated: “I believe it had been a slang term I’d noticed my grandmother make use of to spell it out gentlemen of easy virtue who hung around in bars. Whenever we began, that’s precisely what we had been doing — going out and playing for beverage and ideas and things like that.” The Lounge Lizards track their origins back again to the past due ’70s, when Deisler, a Princeton pupil, installed with Hank Credit card to indulge their distributed fascination with folk and nation by playing in intensifying folk bands. Both arrived in Austin in 1980, where they fulfilled Tom Pittman, a banjo and pedal-steel participant who’d just shifted to city from Georgia. They mixed the noises of Pittman’s bluegrass traditions using the folk and nation forms from Deisler and Card’s college-band times up north. Unsatisfied with playing bluegrass and traditional nation addresses, the Lizards discovered that they had a knack for composing bizarro interpersonal and politically themed tunes, filled with tongue-in-cheek twang. The music group has truly gone through its talk about of mandolin players, bassists, and fiddlers, however the primary of the group offers continued to be Pittman, Deisler, and Cards, with lengthy stints from bassist Boo Resnick, drummer Paul Pearcy, and multi-instrumentalist Richard Bowden. Whatever its lineup, the Austin Lounge Lizards possess always been known for his or her Texas-sized twisted stories and humorous tunes, charming their followers for over two decades. In their personal terms, “Our accents will be the drawliest, our howdies will be the y’alliest/Our Lone Celebrity flag’s the waviest, our deep-fried steak’s the cream graviest.” The group’s 1st recording, Creatures From your Black Saloon, premiered in 1984, and was accompanied by 1988’s The Highway Cafe from the Damned, 1991’s live recording Lizard Eyesight, 1993’s Color Me on Velvet, 1995’s Little Thoughts, and 1998’s Worker from the Month. By no means an Adult Instant was released in late summer time 2000. They continuing in 2003 with Unusual Noises at night and adopted it with Lizards Occasions Twenty: Live at Antone’s, a Dvd and blu-ray officially commemorating the Lizards’ 20th wedding anniversary, in 2004. Medicines I Need found its way to 2006.

Quick Facts

Music Songs Stupid Texas Song, Old Blevins, Hey, Little Minivan, Shallow End of the Gene Pool, The Dogs, They Really Miss You, Teenage Immigrant Welfare Mothers on Drugs, The Drugs I Need, Gingrich the Newt, Leonard Cohen's Day Job, Buenos Dias, Budweiser, Ballad of Ronald Reagan, Strange Noises in the Dark, Life Is Hard, but Life Is Hardest When You're Dumb, Hillbillies in a Haunted House, Bonfire of the Inanities, The Car Hank Died In, You Can Eat Dog Food, Flatnose, the Tree-Climbing Dog, We Always Fight When We Drink Gin, Love in a Refrigerator Box, He's Just a Friend, Industrial Strength Tranquilizer, Rocky Byways, Big Rio Grande River, Rasputin's HMO, Banana Slugs! Racing Down the Field, Banjo Players in Heaven, Paint Me on Velvet, Grunge Song, The Other Shore, Hot Tubs of Tears, Jesus Loves Me
Albums Home and Deranged, Never an Adult Moment, Employee of the Month, Lizard Vision, Small Minds, The Drugs I Need, Strange Noises in the Dark, Creatures From the Black Saloon, The Highway Cafe of the Damned, Paint Me on Velvet, Live Bait

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Sicko 2007 Documentary performer: "I'll See You in C-U-B-A" - as the Austin Lounge Lizzards
In Debt We Trust: America Before the Bubble Bursts 2006 Documentary performer: "It's Always Christmastime for Visa" - as the Austin Lounge Lizards

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