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Inside a move guaranteed to trigger perpetual confusion among discographers and ’60s collectors, singer/songwriter Arthur Lee Harper billed himself simply as Arthur (simply no last name) on his 1st album, 1968’s Dreams and Pictures, and as Arthur Lee Harper on his second and last, 1969’s Like May be the Revolution. It is the same man who do both information, and he most assuredly does not have any reference to the popular Arthur Lee who led the group Like. Arthur, or Arthur Lee Harper, was as mild-mannered a folk-rock vocalist/songwriter as there is in the past due ’60s, singing unfortunate tunes that emanated fearful doubt, aswell as minor airs of self-pity and disengagement. His slim voice was therefore high it nearly moved right into a range connected with female singers instead of male ones; if you are buying reference stage from the time who’s nearly as obscure, there’s Bert Sommer, who experienced a similarly almost girlish voice. In a few respects the information had been very much lower-volume, folkier variations from the orchestrated Baroque pop of the first Bee Gees, though of not really almost the same quality, using a reticence that produced the past due-’60s Bee Gees audio gutsy and forceful. Dreams and Pictures got at least just a little distribution, since it was on Lee Hazlewood’s LHI label, but Appreciate Is the Trend got even much less of the hearing, since it was privately pressed. The albums weren’t extremely good, however they had been combined on the single-CD reissue in 2002 over the Papa’s Choice label.

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