As home bandleader at B.B. King’s LA blues golf club, Arthur Adams cranks out searing blues for the well-heeled visitors who trod along Common Studios’ glitzy Town Walk. However the great most his transient customers can’t commence to think about the depth and selection of the guitarist’s profession. The shaven-headed Tennessee indigenous began playing acoustic guitar in the middle-’50s, acquiring early motivation from the person whose name adorns the golf club that later used him (Howard Carroll, axeman for gospel’s Dixie Hummingbirds, also was a primary impact). He analyzed music at Tennessee Condition University or college, playing briefly using the school’s citizen jazz and blues aggregation. Touring simply because an associate of vocalist Gene Allison’s music group, Adams discovered himself stranded in Dallas, where he dazzled the local people with his extravagant fretwork. Relocating to L.A. in 1964, he begun to perform program work with jazz great Quincy Jones, and trim singles for the Bihari Brothers’ Kent label and Hugh Masekela’s Motown-distributed Chisa imprint. His past due-’60s R&B edges for the last mentioned had been co-produced by Stewart Levine and highlighted support from a lot of the Crusaders. Adams’ 1970 debut LP for Blue Thumb, It’s Personal Tonight, was co-produced by Bonnie Raitt and Tommy Lipuma. Adams ongoing to record single albums with the past due ’70s, but with the ’80s he retreated in the forefront, just ocasionally moonlighting being a program guitarist for several groupings. In 1992, he composed two music for B.B. King’s THERE’S ALWAYS ONCE MORE record and 1999 noticed Adams’s first single discharge in twenty years with Back again on the right track, which featured Ruler as a visitor guitarist. In 2004, Adams continuing rebuilding momentum using the discharge Soul from the Blues.