Four years before Paul Simon and Artwork Garfunkel (who have already been “Paul and Artie” regardless) brought their folk-based vocalizing to Columbia Records, the label was host to a fairly different duo using the same given names: Artwork & Paul. Artwork Podell and Paul Potash had been young denizens from the middle-late 1950’s NY-folk picture when they made a decision to begin performing jointly in Greenwich Community. Both Potash and Podell had been qualified guitarists and talented songwriters, and Podell was an especially talented arranger. One of the most distinctive duos training of NY, these were agreed upon to Columbia Information in 1960, at the same time when record businesses were needs to look for another Kingston Trio, and Columbia was longing for lightning to hit again, since it acquired for Terry Gilkyson and the simple Riders with “Marianne.” They cut two albums for Columbia, which the initial, Songs of Globe and Sky, is undoubtedly a “dropped” classic from the past due ’50s/early ’60s folk increase. Highlighted by their version of John Lomax and Alan Lomax’s edition of “ALL OF THE Quite Horses,” the record achieved a cult following within the East Coastline and sold sufficiently to justify another LP, Hangin’, Drinkin’ and Stuff, in 1961. That same yr, the duo remaining NY for California to check the waters from the Western Coastline folk picture, but they’d split up the group before the yr was out. A couple of months later on, in early 1962, Artwork Podell joined the first, studio-bound edition of the brand new Christy Minstrels, whose debut (in support of album for the reason that incarnation) developed enough of the splash to justify another album as well as the creation of the carrying out group. Podell became component of that energetic band of Christies, by some estimations the dominating member along with creator Randy Sparks. In the meantime, Paul Potash joined up with Sparks’ New Christy Minstrels farm-team, the trunk Porch Bulk and, 2 yrs later on, in 1964, became a member of the Christies, operating alongside his previous partner to get a yr. Artwork Podell later on caused Jim Helms, documenting Jim and Artwork Sing and Play A Folk Music, which featured the original number “Careless Like,” and in addition made an appearance (with Jim Rosmini, amongst others) on Mason Williams’ The Banjo Tale recording. He became a maker and, in cooperation with Nick Woods, was in charge of documenting Biff Rose’s The Thorn In Mrs. Rose’s Part for the Tetragrammaton label, which included the original edition of “Fill up Your Center,” a melody that David Bowie protected on Hunky Dory. Paul Potash continuing performing, even writing a stage with Captain Beefheart & His Magic Music group in 1967 in California, and in addition seems to have performed some performing. He remained energetic in music at least in to the 1980’s.