Among the first & most talented proponents from the Vanguarda Paulistana motion (urban classically trained music artists of the town of São Paulo who also added erudite experimentations to pop music), Arrigo Barnabé can be an internationally awarded composer/arranger with an expressive contribution to Brazilian music. He analyzed at the University or college of São Paulo, in the Music University of ECA, from 1974 to 1979. He published the highly effective music “Clara Crocodilo” (with Mário Lúcio Cortes) and in 1976, he founded the Banda Navalha with Itamar Assumpção. In 1979, he received Television Cultura’s MPB Event with “Diversõsera Eletrônicas,” a “music” that presented the thought of the music (followed sung melody). At Television Tupi’s MPB Celebration, he won initial place and various other honours with “Sabor de Veneno,” which aroused significant polemics. Barnabé released the LP “Clara Crocodilo” in 1980, accompanied by a nationwide tour. The record was awarded following calendar year using the APCA (São Paulo’s Artwork Critics’ Association) award. In 1982, he participated in the Berlin Jazz Celebration using the Arrigo Barnabé Task. Barnabé’s first task for a film was his creation from the music for the film Janete, aimed by Chico Botelho. He was afterwards honored using the award for Greatest Soundtrack on the Film Celebration of Gramado in southern Brazil. In 1984, he also released his second record (through Barclay), Tubarõha sido Voadores (Traveling Sharks) that was selected with the French newspaper Jazz Hot as you of two greatest jazz albums of the entire year. In 1985, Barnabé proved helpful as an professional for Rogério Sganzerla in Nem Tudo é Verdade and co-authored the film Cidade Oculta by Chico Botelho. His soundtrack for the film Estrela Nua was honored using the Governor’s Award of São Paulo on the Rio Film Celebration. In 1986, his soundtrack for the film Cidade Oculta (released in LP) was honored on the Rio Film Celebration, and the main one for the film Vera was honored on the Brasilia Film Celebration. Furthermore, he received an prize in the Association of Theatres from the Condition of São Paulo for composing the music for the film Santa Joana. In 1987, he released the recording Suspeito. In 1988, his soundtrack for the film Lua Cheia was granted in the Curitiba Film Event. In 1989, as musical associate to Secretaria de Estado da Cultura in São Paulo Condition, he produced the Orquestra Jazz Sinfônica perform Estado de São Paulo as well as the Banda Sinfônica perform Estado de São Paulo. He also published and created an opera, Gigante Negão (1990), released on Compact disc by label Núcleo Contemporâneo in 1997. In 1992, he released the Compact disc Façanhas and, within the next yr, performed in the Podenville (Berlin, Germany). In 1994, Barnabé offered his piece “Nunca Conheci quem Tivesse Levado Porrada” for the Orquestra Jazz Sinfônica, rock-band and string quartet in São Paulo. In 1995, he performed in the Initial Jazz and Latin-American Music Event in Cordoba, Argentina. In São Paulo, he offered his piece “Música em virtude de Dois Pianos, Percussão, Quarteto de Cordas e Banda de Rock and roll.” Tinkering with fresh languages, he produced several public shows having a percussion quintet as well as a string quartet and his brother’s Patife Band, a rock-band. With Paulo Braga, he performed a two-piano concert in the Teatro Competitor. His soundtrack for the film Ed Mort premiered in 1997 (Rob Digital).