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Arend Niks

Created in Schiedam, HOLLAND, in 1960, drummer/composer Arend Niks is a valued collaborator in several Dutch jazz and creative music ensembles and in addition has led a set of his personal tasks — but if you are hoping to play bass in another of his groups, you may be out of good fortune, whatever the extent of the talents. Having researched percussion in the Rotterdam Conservatory until 1986, Niks offers demonstrated wide-ranging passions and features as both participant and composer. He’s the drummer in and in addition has made up music for hotshot guitarist Corrie vehicle Binsbergen’s avant jazz-rock clothing Corrie en de Grote Brokken (showing up on different discs using the group beginning in 1990), but also penned the structure “Amoeba Get away” for single violin, performed by Janine Jansen and showing up for the 1999 NM Classics documenting 24 Capriccios for Violin from holland, also featuring items compiled by Michiel Braam, Willem Breuker, Guus Janssen, Cor Fuhler, while others. Furthermore, Niks appeared like a percussionist over the 1993 Loes Luca/Willem Breuker Kollektief record This Way, Females! (Deze Kant Op, Dames!), a musical movie theater piece documented live on the Stadsschouwburg in Amsterdam the prior year. He in addition has worked with various other movie theater and dance productions, and with string quartets like the Mondriaan (regular WBK collaborators) and Zapp. His very own Niks Task octet — which his internet site proclaims provides “no bass!” (the reduced notes included in tuba or cello when required) — released the record Upcoming Museum in 1998. In 2003 Niks premiered his brand-new quartet, the aptly called New Niks — also offering no bass! — on the Jazz International Rotterdam celebration, and 3 years afterwards the quartet, including Erwin Hoorweg on electrical piano, Andreas Suntrop on guitar, as well as the Zapp String Quartet’s Jasper le Clercq on violin furthermore to drummer/composer Niks, released its debut disk, Penguin Village. In ’09 2009 New Niks collaborated using the Artvark Saxophone Quartet on a fresh disk, Busy Busy Busy, as well as the music group came back in its first quartet lineup (once again without bass) for third record On in 2012, providing more music how the group details as “eloustic acouctric comprovised manhandmade movies for ears.” Nevertheless, lest one believe Niks is totally bass-averse when going for a music group leadership role, it ought to be observed that Niks and saxophonist Frans Vermeerssen, co-leaders from the quartet Zero Can Perform, allowed bassist Mischa Great in to the lineup for the group’s 2000 Bvhaast record, Tomorrow’s Paper (the music group can be noteworthy for including Wolter Wierbos, probably The Netherlands’ leading trombonist in innovative jazz and improvisation). Probably Vermeerssen confident Niks a bassist is capable of doing a very important purpose inside a jazz quartet occasionally.

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