Created in Paris for an American mom and a Portuguese aristocrat dad, Antonio de Almeida retained People from france citizenship throughout his existence and identified most closely with People from france culture. Like a musicologist, he was the twentieth century’s leading professional within the music of Jacques Offenbach. Like a conductor, he used himself to an array of repertory, notably opera, but he worked well especially hard to get interest for neglected French music. His last task was to record all of the symphonies of Henri Sauguet and Charles Tournemire; he passed away of cancer just one single disc in short supply of his objective. (The engineer for these last discs, incidentally, was Almeida’s child, Tony Jr.) Almeida’s godfather was pianist Artur Rubinstein and it had been Rubinstein who persuaded him to stop a scholarship to review nuclear chemistry in the Massachusetts Institute of Technology and change to music. Almeida experienced already analyzed musicology in Argentina with Alberto Ginastera, and he quickly required Rubinstein’s suggestions and used in Yale, where he analyzed music theory with Paul Hindemith and performing with Serge Koussevitsky and George Szell. Almeida started performing on Portuguese radio in 1949, and quickly was appointed music movie director from the Oporto Symphony Orchestra. There, he fulfilled visitor conductor Thomas Beecham and within a yr, Beecham asked Almeida to London to carry out his Royal Philharmonic Orchestra. A occupied guest-conducting schedule created, as did some appointments as main conductor and music movie director: Portuguese radio from 1957 to 1960, the Stuttgart Philharmonic from 1962 to 1964, the Opéra de Paris from 1965 to 1967, as well as the Moscow Symphony Orchestra from 1993 until his loss of life. For his attempts to promote People from france music all over the world, Almeida was called a Chevalier from the Legion of Honor in 1976, later on increasing within that company towards the rank of commander. He was also elected a Commander of Arts and Words in France in 1996. While devoting enough time to performing and documenting, Almeida also progressively proved helpful being a musicologist. He became co-artistic movie director from the Haydn Base with H.C. Robbins Landon in 1968. Almeida ready performing editions of all Boccherini symphonies and put together a thematic catalog from the functions of Offenbach, that was not really published until soon after his loss of life.