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Anton van Rooy

In his day, Anton Van Rooy was thought to be the best male singer in Wagnerian opera. Truck Rooy studied tone of voice in Frankfurt under Julius Stockhausen and started his profession in 1894 being a vocalist of oratorio and German Lieder. Truck Rooy produced his operatic debut on the 1897 Bayreuth Celebration partly through the urging of Cosima Wagner. He proved helpful in the Bayreuth business until 1902, playing all of the major bass jobs in Richard Wagner’s operas, including Wotan, the Dutchman, and Hans Sachs. Phrase about Truck Rooy’s exceptional abilities and magnificent tone of voice quickly pass on and by the finish of 1898, Truck Rooy had produced his first performances at Covent Backyard in London with New York’s Metropolitan Opera. He stayed a favorite on the Met through 1908 with Covent Backyard through his pension in 1913. In 1903, Truck Rooy participated in the notorious “bootleg” efficiency of Parsifal on the Metropolitan; this is the first Parsifal to get in defiance of Wagner’s very own guideline banning any staging of the task beyond Bayreuth. While this efficiency laid the groundwork to make Parsifal open to everyone, it got grave implications for Truck Rooy. When she discovered of Truck Rooy’s betrayal, Cosima Wagner henceforth prohibited his appearance in virtually any Bayreuth productions; certainly, Van Rooy had not been even welcome to wait one as an viewers member. It had been obviously a significant challenge to Truck Rooy, at that time acclaimed as the very best vocalist in Wagnerian opera, never to have the ability to show up at the home that was both house and hearth towards the Wagnerian custom. But he was still popular elsewhere, and could like a stellar profession nonetheless. Vehicle Rooy only remaining a slight track of his tone of voice for posterior evaluation on recordings. He was captured in shows in the Metropolitan Opera on five cylinders created by Lionel Mapleson in 1903, produced 12 industrial recordings for Gramophone & Typewriter in London in 1902 and 1908, and ten even more for American Columbia in 1907. These reveal that Vehicle Rooy was certainly a powerful vocalist, wealthy, deep, and resonant. Vehicle Rooy’s is really as good a bass tone of voice as are available on early information; it’s a pity he didn’t make more of these.

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