Antonello de Caserta was a North Italian composer and a substantial musical figure in the late fourteenth hundred years. He was most likely born in the city of Caserta, on the outskirts of Naples, Italy. De Caserta’s ballade Beauté parfaite, bonté soverayne shows up in a minimum of three manuscript resources; in the Wildenstein Collection manuscript in NY it’s the just foreign work contained in a quantity otherwise exclusively specialized in music of Guillaume de Machaut. De Caserta’s French functions, probably created in the 1370s and 1380s, are therefore near Machaut that it is feasible de Caserta may possess spent time in France to review with the old get good at. De Caserta was also a monk, however the identity from the monastic Purchase to which he belonged is certainly unknown. The initial proof linking de Caserta with a particular location continues to be within his one madrigal, Del glorioso titolo d’esto duce, thought created for the coronation of Archbishop Gian Galeazzo Visconti as Duke of Milan in 1395. The ballata Più chiar che’l sol might have been created for the relationship from the Duke’s niece Lucia Visconti in 1399. A branch from the court from the Visconti was focused at Pavia, and in 1402 a friar called “Antoniella de Caserta” was signed up as an associate from the Duke’s retinue in Pavia with a notary doing work for the Duke. Afterwards, in 1402, an outbreak of bubonic plague had taken keep in Pavia, eventually carrying apart with it the Duke & most of his Royal home. In those days, it had been customary to quarantine the well associates of a family group combined with the unwell to avoid the pass on of the condition. Mostly this plan had the contrary effect, and it’s really tough to reckon under these situations that de Caserta would’ve survived. That is partially confirmed for the reason that de Caserta’s making it through functions are only within levels of manuscript that predate the entire year 1410. De Caserta’s functions contain nine ballades, eight ballatas, two rondeaux, a madrigal, a virelai, and a hymn, using a few functions being of doubtful authenticity. The majority are within the Mancini Codex at Lucca or within a manuscript (M.5.24) on the Archivio di Stato Biblioteca in Modena. Component of this last mentioned source appears to represent an effort to put together the musical functions of de Caserta in a few systematic way.