Hungarian pianist Annie Fischer produced her debut in age 10 and studied with Ernst von Dohnányi on the Franz Liszt Academy of Music. Her efficiency from the Liszt Sonata in B minimal won Fischer initial prize on the 1933 Liszt International Piano Competition, but her concert profession was hardly underway when battle broke out; Fischer fled to Sweden. Soon after Fischer came back to Hungary, and even though she produced her NY debut in 1961, she was just seldom observed in america and structured her profession in continental European countries. In her indigenous Hungary, Fischer was especially well vaulted and was honored the Kossuth Award 3 x. Mozart and Beethoven had been Fischer’s loaf of bread and butter composers, but she also excelled in afterwards Intimate repertoire and in several modern works, especially the Piano Concerto No. 3 of Béla Bartók. Although thought to be among the world’s ideal pianists past due in lifestyle, Fischer only rarely documented, and disliked doing this. Soon after Fischer’s loss of life in 1995, the Hungaroton label released a complete documenting of Fischer in the 32 Beethoven Piano Sonatas. Fischer have been focusing on this established for the better component of 2 decades, but ahead of that point she hadn’t seen fit release a these recordings. Fischer was a rigorous and effective pianist who responded most highly to her personal inner feeling of motivation and travel. In functions where this process was an edge, like the “Hammerklavier” Sonata of Beethoven, Fischer was second to non-e.