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Annea Lockwood


Researched in Europe in ’60s, shows electronic music and composition at Vassar University. Trained in traditional piano. Years as a child in durable New Zealand wilderness, trekking and climbing, and later on based a lot of her focus on documenting and processing organic sounds. Works consist of audio sculptures, environmental installations, mixed-media. Cup Concert (1966) for just two performers and environment of cup objects, various occasions with burnt, drowned pianos in ’70s, items about organic decay, Globe Rhythms (1975), live mixture of sounds sent by earthquake, fireplace, quasar, volcano, mudpool, tides and wild birds to which a beaten gong responds, Nautilus for didjeridu, conch and percussion, Evening and Fog (1987).

Quick Facts

Full Name Annea Lockwood
Profession Composer
Education Royal College of Music
Nationality American
Music Songs Tiger Balm, Two Ribbed Discs, World Rhythms, Vibrating Pane, Micro Glass Shaken, Ear-Walking Woman, floating world: Part 1, Breathing Machine, Thousand Year Dreaming: Floating In Mid-Air, Thousand Year Dreaming: Breathing & Dreaming, Wine Glass, RCSC, Ground of Being, Deep Water Gong, Bottle Tree Showered with Fragments, Mini Mobile, Glass Rod Vibrating, Cullet: Two Glass Rocks, Water Jars, Glass Bulb, Micro Glass Along Pane, Rod Roll, Spinning Discs, Rod Across Edge of Pane, Turning Gong, Medium Mobile, Micro Glass on Goblet, Water Gong, Glissandi, Thousand Year Dreaming: In Full Bloom, Thousand Year Dreaming: The Chi Stirs, Malolo
Albums A Sound Map of the Hudson River, A Sound Map of the Danube, Thousand Year Dreaming, The Glass World, Breaking the Surface, Tiger Balm / Amazonia Dreaming / Immersion, Ground of Being, Early Works: 1967-1982, Annea Lockwood: In Our Name

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Subtle Exchange of Information Across Time 2013 Documentary short

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