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The Netherlands’ Angus was an obscure rock band from the 1980s. Declaring the name was influenced as very much by a common guitarist, AC/DC’s Angus Youthful, as by a common variety of Scottish bull (they stated how the animal’s durable disposition typified their audio), vocalist Edgar Lois, guitarist Ed Sprey, bassist Gerard Carol, and drummer William Lawson first started tormenting neighbors within their indigenous Amsterdam circa 1983. Normal of all Dutch rock at that time, the band’s uncooked, energetic design was indebted as very much by the brand new Wave of English ROCK as the old regime from the 1970s…and, yes, just a little AC/DC aswell. Although this confluence of components barely helped them stick out through the pack, by 1985 Angus got begun buying a four-track demonstration to record brands, gigged across Holland, and added a few monitors to a local steel compilation entitled The Large Touch. These music had been documented with two brand-new guitar players, specifically Bert Foxx and Jack port Winder, but just Foxx was maintained for the periods that yielded Angus’ 1986 debut record, An eye on Doom. Released by unbiased Megaton Information, the LP fared quite nicely in a few Europe (especially Poland), but was just given a humble U.S. discharge the following calendar year. For the time being, Angus had taken a bizarre (some would state career-destroying) stunt using the discharge of their Papa Don’t Freak maxi-single, which matched a dubious thrashing of Madonna’s “Papa Don’t Preach” with an unsightly picture from the children in move. Well, a lot of the children, since founding bassist Gerard Carol acquired already made a decision to profit his chips at that time, only to end up being changed by Mike Shults — though it had been session participant Andre Versluys who performed on Angus’ sophomore record, 1987’s Warrior from the Globe. Said recording was something of the disappointment, failing woefully to attract any fresh enthusiasts while alienating many older ones using its over-commercialized creation sheen. The domino theory continuing following that, as setback after setback — drummer Lawson stop, Megaton proceeded to go bankrupt, etc. — quickly brought Angus’ brief but colorful set you back a screeching halt. That’s, until 2001, when the addition from the music “Tabs on Doom” inside a Dutch metallic collection precipitated the belated re-release of Angus’ two albums using one small disc, and a fresh demos and outtakes collection entitled Metallic Warriors, and a good few reunion displays occasionally.

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