Andy Secrest

Andy Secrest played both in jazz combos and studio room orchestras through the ’20s through the first ’50s. Then left music to become agent, a move that locations him firmly inside the mini-grouping of players who’ve made exactly the same profession choice, a few of whom might have been influenced from the lyrics to Col. Bruce Hampton’s music entitled “PROPERTY.” This is not the only real group of players that Secrest suits into, either. The brass professional frequently comes under observation as you of bandleader Paul Whiteman’s long-term sidemen. Due to the Whiteman connection, Secrest also makes the set of instrumentalists who obtain confused with additional instrumentalists. In cases like this his non-doppelgänger can be Frank Siegrist, who also used Whiteman. Secrest appears to have began his professional profession in Cincinnati, employed in an orchestra beneath the path of Freda Sanker. For quite some time from 1927, Secrest performed both trumpet and cornet within the Jean Goldkette music group in a ballroom in Kansas Town. The association with Whiteman started soon thereafter and lasted until 1932. Another move for Secrest was going to California as well as the studios of Hollywood. He started working for studio room bandleaders such as for example Victor Youthful, John Scott Trotter, and Billy Mills, and may be noticed on many classic recordings by Bing Crosby, Mildred Bailey, Anita O’Day, among others. Secrest is at the brass portion of Ben Pollack’s exceptional music group in the past due ’30s and in addition performed at jazz celebrations on the Western world Coast through the ’50s.