b. 22 January 1921, Paris, France. Hodeir analyzed music formally for quite some time but also created a fascination for jazz. In the past due 40s he regularly published jazz criticism, getting chief editor from the French publication Jazz Warm. He also published an important publication, first published in america in 1956 beneath the name Jazz: Its Development And Substance. He performed violin and documented with numerous jazz organizations, including musicians such as for example Django Reinhardt and Kenny Clarke. Nevertheless, Hodeir was interested in composing and authoring jazz and his playing times were therefore numbered. From your mid-50s before end from the 60s he co-led a music group, Jazz Groupe De Paris, with Bobby Jaspar, a car for his personal compositions. Within the 60s he required a pastime in third stream music, composing with this cross moderate. He was also popular as a author of music for the soundtracks of movies. From the 80s Hodeir experienced forgotten composing, channelling the majority of his energies into composing. From recordings of his function, Hodeir’s composing and organizing skills are evident, although there’s very much about his composing, specifically in third-stream setting, which makes his function significantly less than readily available to the overall listener. His criticism can be interesting and perceptive although frequently pugnaciously argumentative and occasionally slightly wrong-headed. Even so, he is often thought-provoking plus some of his in-depth analyses are incisive and up to date.