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André Duchesne

A core person in the past due-’70s avant-folk collective Conventum and co-founder from the “musique actuelle” collective and record label Ambiances Magnétiques in the first ’80s, André Duchesne continues to be both quieter and louder than his acolytes. Quieter because he released albums on the rate of the trickle; louder because his electric guitar riffs consider him nearer to the fact of rock and roll than every other AM musician. His documented output shows passions in avant-prog, rock and roll & move, film music, symphonic extravaganzas, free of charge improv, and single classical electric guitar. Duchesne is certainly a kid of Montreal. He discovered the classical guitar like the majority of of his teenager buddies in the 1970s. But unlike them he had not been content with Harmonium and Creedence Clearwater Revival’s strum-along tunes. Teaming up with René Lussier, Jean-Pierre Bouchard, Jacques Laurin, Bernard Cormier, and poet Alain-Arthur Painchaud, he created Conventum, an important underground device that combined Quebec’s folk origins with absurd poetry and intensifying plans. The group documented two LPs (À l’Affût d’un Complot, 1977; and Le Bureau Central des Utopies, 1979). In 1983, Duchesne, Lussier, Jean Derome, and Robert M. Lepage threw collectively the foundation of Ambiances Magnétiques, an artist-run label specialized in avant-garde music. His 1st album to turn out was the assortment of contemporary rock and roll tunes Le Temps des Bombes (1984). His following project, more lucrative, was the four-guitar rock and roll quintet Les 4 Guitaristes de l’Apocalypso-Bar, including Lussier and Bouchard from Conventum, plus Roger Boudreault and ex-Henry Cow drummer Chris Cutler, from Britain. This group also documented two LPs and toured European countries as well as the U.S. before breaking up. The first ’90s noticed Duchesne energetic on several fronts. He documented film music for the Gagné brothers (the soundtrack of Le Royaume ou l’Asile may be the only one obtainable) and premiered his most ambitious function ever, L’ ou ‘L, on the FIMAV celebration in Victoriaville in 1990. The orchestral overtones of the piece were shortly counterbalanced with the raucous riffs of Locomotive, still Duchesne’s greatest album and music group (with guitarists Claude Fradette and Francis Grandmont, and drummer Rémi Leclerc). After 1992, Duchesne proceeded to go very low-profile, showing up on albums by contemporary trad vocalist Michel Faubert and sporadically piecing together rock and roll bands that hardly ever documented (Diesel, No Band’s Property). His 1999 anti-climactic return Réflexions highlighted him single on classical electric guitar and had not been what fans have been longing for. The 2001 providing Polaroïde is a free of charge improv trio program.

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