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Amy Dickson

Created in Sydney in 1982, saxophonist Amy Dickson had her initial lesson over the device when she was six years of age. Developing up with a huge selection of musical affects, she produced her concerto debut aged 16, playing the Dubois Concerto with Henryk Pisarek as well as the Ku-ring-gai Philharmonic Orchestra and eventually became a receiver of the Adam Fairfax Australian Teen Artist of the entire year award. On her behalf 18th birthday she documented the Dubois Divertissement with John Harding as well as the Sydney Symphony Orchestra. The next year she transferred to London where she had taken the Jane Melber Scholarship or grant to study on the Royal University of Music with Kyle Horch, as well as the Conservatorium truck Amsterdam with Arno Bornkamp. During this time period she became the initial saxophonist to earn major competitions like the Silver Medal on the Royal Abroad Group Competition, the Symphony Australia Youthful Performer of the entire year Competition, as well as the Prince’s Reward. She started honing her unforgettable sax stylings and between 2005 and 2011 performed at a number of the world’s most renowned venues and occasions. Due to her prolific function rate and pursuing these unforgettable live shows, she released her debut recording Smile in 2008. It had been well-received and critics praised her sultry, powerful yet refined playing style. Wanting to integrate the greater traditional components of her history into her function, she released her second recording Cup, Tavener, Nyman in ’09 2009. Offering Dickson’s exclusive interpretations aswell as preparations of Violin Concerto No. 1 by Philip Cup, The Protecting Veil by John Tavener and Michael Nyman’s Where in fact the Bee Dances, it had been broadly praised. Fusing modern traditional with tones of jazz, she started steadily accumulating a dedicated group of fans that culminated using the chart-topping 2013 recording Dusk & Dawn. The recording — including a healthy mixture of traditional and jazz specifications — cemented her status among the most thrilling and contemporary traditional stars from the 2010s. Two 2014 produces, Catch Me WHEN YOU CAN and A Summer season Place, presented music lent from film ratings, which is definitely one method she expands the repertoire and produces excitement for enthusiasts of her device. Another is definitely commissioning and premiering songs — either for chamber ensemble or for saxophone and orchestra — from such composers as Ross Edwards, Peter Sculthorpe, Graham Fitkin, Steve Martland, and Huw Watkins. Her 2016 discharge, Island Music, features a few of these commissions from Australian composers.

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