Group. The Amram/Barrow Quartet had been among the initial bands to discover a good way to mix jazz and worldwide improvisatory strains. Amram, a wildly eclectic designer who performed brass, reed and a range of non-western tools, caused tenor saxophonist George Barrow. Though their past due ’50s classes for Decca are generally regular hard bop, such music as “Lobo nocho” and “Phipps Quipps” are a sign of the path Amram would afterwards take. Amram transferred away from typical jazz and into a variety of globe styles, but preserved his association with Barrow on in to the ’80s.