Alice Moore was one of the better classic blues performers and pianists from the first St. Louis picture. In case a listener affiliates darkness of feeling with blues, after that she is actually Moore the champ for having concocted “Dark Bad Blues,” probably one of the most depressing information available. She was also called “Small” Alice Moore and Small Alice From St. Louis inside a profession that included collaborations with famous brands Kokomo Arnold and a penchant for kooky instrumental experimentation. While there might barely be much less accordion than there’s on an average Midwest nation blues record, Moore were able to use the device on some edges, in addition to utilizing trombone accompaniment by Ike Rodgers which was barely typical. She got two main intervals of documenting activity: the very first in the past due ’20s, accompanied by a resurgence in 1934 that lasted through 1937. Her first edges for Paramount possess reportedly influenced all types of mayhem for record enthusiasts. Moore’s partner was evidently the well-known bluesman Peetie Wheatstraw, who shows up alongside Arnold on edges which contain interesting historic factual statements about the music picture, in addition to just plain great blues: When Moore says, “Right here comes Peetie drunk once again” in the center of the music “Dark Angel,” it could be assumed she means business. L.A. Moore along with a. LaMoore were a few of her additional, a lot more thinly disguised pseudonyms, the usage of which also appears to have influenced musical comment, as with the lyric, “Alice Moore can be my real correct name.” Her biggest strike was “Blue, Dark and Bad,” mean plenty of to need three different variations to be documented.