In the center of the twentieth century, Alexei Haieff was among the increasing stars among American contemporary composers, but by the finish from it, he was basically completely forgotten. Given birth to in Siberia, Haieff found its way to america by method of Harbin, China, in 1931, currently having received some training in music there. Haieff signed up for the Juilliard College and analyzed with Rubin Goldmark and Frederick Jacobi; he later on finished his research with Nadia Boulanger. Haieff worked well as an accompanist to performers and, for a short period during 1946, led the Woody Herman Orchestra although it was on tour. Haieff was produced a Guggenheim fellow double and received the prize to review in the American Academy of Rome in 1947; a notice of great job was delivered to him from a minimum of Randall Thompson. Haieff was an uncannily well-connected composer, and by the past due ’40s he could count number such divergent personalities as Aaron Copland, John Cage, and Samuel Barber among his good friends. Haieff was especially near Barber, and in 1953 Haieff’s String Quartet No. 1 was matched with Barber’s Hermit Tracks on the CBS LP that highlighted Leontyne Cost and Barber’s very own performance from the routine. In 1952, Haieff’s Piano Concerto got won a fresh York Critic’s Group Award among the three greatest compositions of the entire year, and following that it appeared as if the only path forwards for Haieff was “up.” Nevertheless, Haieff shifted into academia, initial through teaching on the American Academy of Rome in the 1950s. He eventually became a going to music teacher at SUNY Buffalo, trained on the Carnegie Institute of Technology in the first ’60s, and from 1968 Haieff was composer-in-residence for just two years on the College or university of Utah. From 1970, Haieff was based in Rome, although for a few years he commuted between Italy and america. By the finish from the 1970s, nevertheless, Haieff had resolved completely in Rome; when he passed away in 1994, Haieff and his music had been currently completely neglected. Haieff wrote within an interesting neo-Classical design that was razor razor-sharp, clean-cut, and influenced similarly by Stravinsky and jazz rhythms. Like his friend Samuel Barber, Haieff selected not to transfer to the world of International Serialism that required keep in the past due ’50s. Maybe in the twenty-first hundred years, Haieff’s music will love an increased profile; his function is usually ripe for rediscovery and everything is situated in the Unique Collections Department of the brand new York General public Library, where it had been donated by his wife Sheila after Haieff’s loss of life.