Alejandro Fernández

Among Mexico’s biggest international superstars of the brand new millennium, Alejandro Fernández initial established himself in the first ’90s like a champ of ranchera music before crossing to the Latin pop mainstream in 1997 using the chart-topping recording Me personally Estoy Enamorando. Created on Apr 24, 1971, in Guadalajara, Jalisco, Mexico, Fernández may be the child of ranchera icon Vicente Fernández, which influenced the press to nickname him Un Potrillo (the tiny Colt). You start with his self-titled debut recording in 1992, Fernández adopted in the footsteps of his dad, carrying out traditional Mexican music from the Jalisco area such as for example mariachi. While this stage of Fernández’s profession — like the albums Alejandro Fernandez (1992), Piel de Niña (1993), Grandes Exitos a la Manera de Alejandro Fernandez (1994), Que Seas Muy Feliz (1995), and Muy Dentro de Mi Corazón (1996), which were made by Pedro Ram memoryírez — spawned a reliable series of strike singles, his profession skyrocketed to fresh heights of achievement using the 1997 launch of Me Estoy Enamorando. Made by Emilio Estefan, Jr. and Kike Santander — by far the preeminent Latin pop creation team from the period — the recording designated the crossover of Fernández in to the world of mainstream pop. Not merely do Me Estoy Enamorando itself best Billboard’s Best Latin Albums graph; in addition, it spawned four Sizzling Latin Songs chart-toppers: “Si Tú Supieras,” “En un Jardín” (a duet with Gloria Estefan), “No Sé Olvidar,” and “Yo Nací Em virtude de Amarte.” As though to reassure his group of fans that he hadn’t left behind his origins, Fernández reunited with longtime maker Pedro Ram memoryírez in 1999 and came back to ranchera music on Mi Verdad, before collaborating once more with Estefan and Santander on another pop-oriented chart-topper, Entre Tus Brazos, in 2000. In following years, Fernández continuing to alternative between traditional albums of ranchera music (Orígenes, 2001; Niña, Amada Mía, 2003) and the ones oriented toward modern Latin pop (A Corazón Abierto, 2004; Viento a Prefer, 2007). Furthermore, he began frequently liberating live in-concert albums (El Canto de México, 2002; En Vivo: Juntos por Ultima Vez, 2003; México-Madrid: En Directo con Sin Escalas, 2005) and in addition released his 1st greatest-hits collection, 15 Añoperating-system de Éxitos (2008). Following a end of his seven-album agreement with Sony, Fernández remaining the label and authorized to Fonovisa. Sony after that tried release a an recording of his previously unreleased songs; Fernández sued, and 6,000 copies from the recording had been seized by law enforcement. In ’09 2009, under his brand-new label, he released an ambitious task known as Dos Mundos, which contains two independent albums, Evolución and Tradición, released on a single day time — the previous even more Latin pop, the second option traditional ranchera and mariachi music. (Predictably, Evolución fared somewhat better within the pop graphs, although both albums had been hits.) Then took the brand new music on tour, leading to the live recording Dos Mundos: Revolución (2010). Fernández started recording once again in 2012, employed in LA with maker Phil Ramone. The ensuing recording, Confidencias, included duets with Christina Aguilera on “Hoy Tengo Ganas de Ti,” Pole Stewart on “No one Knows IF YOU ARE Down and Out,” & most poetically, his dad Vicente on “Me Olvidé de Vivir.” Released in July 2013, the recording strike the top from the graphs in Mexico and Spain, and continuing to graph for over annually. Continuing along with his penchant for cooperation, Fernández caused a number of different performers on his following recording, from Columbian music group Morat to Peruvian vocalist/songwriter Gianmarco. Released in early 2017, Rompiendo Fronteras (Breaking Obstacles) got a divisive multi-cultural position with regards to the politics climate of your day.