b. 19 January 1896, Vienna, Austria, d. 2 Oct 1967, Woodland Hillsides, LA, California, USA. Qualified as a traditional ballet dancer at Vienna’s Royal Opera Ballet College, Rasch danced in Vienna from age 13 and made an appearance at the brand new York Hippodrome in 1911. She resolved in america in the 20s, where she even more readily found function in the chorus of musical comedies, revues and in vaudeville. She opened up a dance college and in addition founded her very own dance troupe, showing up with them in Broadway displays and in addition in Paris. Her initial important job emerged when she was appointed dance movie director for George Light’s Scandals (1925). She after that joined the personnel of rival Broadway impresario Florenz Ziegfeld, for whom she choreographed dance sequences for the 1927 and 1931 editions of his Ziegfeld Follies. She also ready dance routines for his displays Rio Rita, The Three Musketeers (both 1927) and Present Gal (1929). In 1929 her dance troupe was highlighted within an underwater ballet series in the film Hollywood Revue Of 1929. A lot of Rasch’s routines utilized ballet techniques and helped transformation behaviour on Broadway towards choreographers, who before 30s have been known as dance directors. She done Three’s A Audience (1930), The Kitty AS WELL AS THE Fiddle (1931), The Music group Wagon (1931), Encounter The Music (1932), THE FANTASTIC Waltz (1934), Jubilee (1935) and incredibly Warm For Might (1939). For many of these displays, Rasch was praised extremely and her efforts undoubtedly helped within their achievement and popularity. Undoubtedly, Rasch’s choreographic abilities attracted Hollywood’s interest and she proceeded to go there to focus on Rosalie (1936) and Sweethearts (1938). In the first 40s she was back the theater for Lady AT NIGHT (1941, and its own 1943 revival), and Marinka (1945). Following this, she worked well for some time in European countries before retiring through the theater. She was wedded to film composer Dmitri Tiomkin from 1925 plus they worked well collectively on some events, like the 1938 display version of THE FANTASTIC Waltz.