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Albert Lortzing

Albert Lortzing is remembered chiefly for his 1837 opera Zar und Zimmermann, but he also wrote various other functions of artistic merit, like the operas Undine (1845) and Rolands Knappen (1849). His most significant strength lay down in the world of comic opera, where he created a method that fused components in the French opéra-comique genre with those of the German singspiel. When he ventured into much more serious subject matter, such as his opera, Regina (1848), he frequently lost his method. Lortzing also composed a small amount of orchestral and choral functions. Lortzing was created on Oct 23, 1801, in Berlin. His parents had been amateur actors, hence sketching their precocious just kid (a sister passed away in infancy) to the level. Young Albert’s initial love, nevertheless, was music, and he demonstrated remarkable talent for this in his early youth. He would start composing small parts and eventually consider piano lessons from J. H. Greibel. He also had taken instruction theoretically from Rungenhagen. Lortzing’s dad sold the family members tannery business in 1812 to consider up acting skillfully along with his wife, while youthful Albert continued learning composition (generally by himself), aswell as violin and cello. He also started acquiring children’s parts over the stage. More than the next many years, the family members moved to several locales: Bamberg (1813), Strasbourg (1814), Bonn (1817), and somewhere else. Lortzing had currently written many ambitious ratings by 1817, including music for the Kotzebue play Der Schutzgeist. In 1820, he composed the Andante maestoso con variazioni, for horn and orchestra. Various other significant compositions implemented, as well as the composer also started courting an celebrity, Rosina Regina Ahles, whom he wedded on January 30, 1823. Lortzing continuing his acting, performing, and composing professions, appearing in has, often along with his wife and parents, and turning out functions just like the 1829 Die Himmelfahrt Jesu Christi. A string of singspiels from 1832, including Der Pole und sein Kind and Szenen aus Mozarts Leben, all make use of music from various other sources. Lortzing composed his initial comic opera, Die Beiden Schützen in 1835, staged 2 yrs afterwards with great achievement in Berlin and various other German metropolitan areas. His most significant success came following, however, with these Zar und Zimmermann; it had been performed the same calendar year, but achieved wide-spread success from 1839. Other significant operas followed, as well — Der Wildschütz (1842), for instance — while Lortzing continuing singing and performing. Right now he was a dissatisfied maker, covetous of the performing post. In 1844, he got his want, becoming kapellmeister in the Leipzig Stadttheater. But he didn’t succeed in the post and was dismissed in 1846. Greatly well-known from his operas, nevertheless, he quickly received the visit as kapellmeister in the Theatre an der Wien, where his fresh opera Der Waffenschmied was premiered in-may that yr. But, as with Leipzig, Lortzing started encountering setbacks: he was struggling to obtain Regina performed (rather than do in his life time), and was dismissed in Sept of that yr. Lortzing used his last directorship in Apr, 1850, in the Friedrich-Wilhelmstadt Theatre in Berlin. His last opera was premiered in Frankfurt am Primary in January 1851; he passed away the following day time from a heart stroke, departing his wife and 11 kids in financial problems.

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