Al Kasha

Composer and maker Al Kasha earned his best popularity co-writing the Academy Award-winning styles to two of the largest disaster movies of the first ’70s, The Poseidon Experience as well as the Towering Inferno. Given birth to January 22, 1937, in NEW YORK, Kasha began composing songs at age 17, penning some information for R&B story Jackie Wilson including “My Clear Hands,” “I’m Comin’ Back,” and “Forever along with a Day time.” In 1960 Kasha authorized as an employee maker with Columbia Information, where he notched some strikes for crooner Steve Lawrence, especially “DISAPPEAR COMPLETELY, LITTTLE LADY” and “YOU SHOULDN’T BE Afraid, Small Darlin’.” He also helmed the smash “Blame It around the Bossa Nova” for Lawrence’s wife, Eydie Gorme, and collaborated with Aretha Franklin and Neil Gemstone. In 1966, Kasha found out a Catskills comedian called Rodney Dangerfield, assisting the standup form his immortal “No respect” regular and funding his Decca debut LP, The Loser; he relocated to LA two years afterwards, doing work for Clive Davis at CBS’s Movie theater Center Films to get a season before acknowledging the presidency of Country wide General Corporation’s music department. After Country wide General proceeded to go belly-up in 1971, Kasha came back to songwriting, building a long-running cooperation with Joel Hirschhorn. The relationship soon yielded large dividends when their tune “The Morning hours After” was highlighted within the Poseidon Experience, the Hollywood blockbuster in regards to a high end liner capsized by way of a giant wave. Documented by Maureen McGovern, “The Morning After” demonstrated a significant pop strike, and in 1973 earned its writers an Academy Award. Hirschhorn and Kasha repeated the secret two years afterwards with “WE MIGHT Never Love SUCH AS THIS Once again,” their Oscar-winning theme towards the Towering Inferno, an all-star feature spotlighting a high-rise engulfed in flames. The duo also gained Oscar nominations in 1977 because of their score towards the cartoon Pete’s Dragon, with vocalist Helen Reddy’s edition of the “Candle on the Drinking water” also nominated for Greatest Original Tune. In 1981 Hirschhorn and Kasha considered Broadway using the Tony-nominated Copperfield, a season later getting another Tony bet for their focus on the up to date Seven Wedding brides for Seven Brothers. In every, Hirschhorn and Kasha’s tracks marketed over 90 million information, and they also collaborated on three books: 1979’s IF INDEED THEY Ask You, IT IS POSSIBLE TO Write a Tune, 1985’s Records on Broadway, and 1986’s Achieving the Morning hours After. Aside from Hirschhorn, Kasha created and aimed the long-running NEVADA revue Allow Good Times Move, and created the feature film Consider This Work and Shove It. He also obtained numerous cartoon productions for film and tv. From 1995 to 1998, he offered as president from the Family members Channel’s music department, following that founding his very own Broadway production company, the Kasha Entertainment Business, furthermore to focusing on Rejoice, a musical created in cooperation with Grammy-winning manufacturer and composer David Foster. In 2004, Kasha received the ASCAP Nation Prize for Sherrie Austin’s Christian strike “Roads of Heaven.”