Al Bernard was an excellent historic recording designer from your vaudeville period. He was also probably one of the most popular blackface performers from the times from the minstrel displays, therefore he’s become something of the pariah. However his work in addition has been reappraised by music historians who experience links exist between your much-maligned minstrel display designs and much-adored traditional western swing music. Referred to as “the young man from Dixie” in a lot of his advertising, Bernard’s biggest strike was the clutchy “I wish to Hold You in my own Arms,” among the many duets with Ernest Hare which were released on Edison mainly because so-called “gemstone discs.” His collaborations with Hare included what approved for male and feminine duets, except it had been Bernard doing the girl voice. Having appear within the vaudeville planks, he’d learned to accomplish almost anything for fun. The 1922 “My Small Bimbo Down on the Bamboo Isle,” for instance, is an average Bernard tune name. The label credit for just one of his vintage recordings of W.C. Helpful music was “Al Bernard, Performing Comedian and Scorching Orchestra,” the procedures of humor and music predicated on the framework of the tune and what music group he was performing before. The white Unique Dixieland Jazz Music group had been one of is own employers in the first times. This group billed itself as having developed jazz, the state predicated on the record “Livery Steady Blues” coupled with “Dixie Jass Music group One Stage,” which by early 1917, was supposedly the 1st jazz record ever released. The music group had already been through years of essential backlash due to the boast and a relatively bogus attitude when, like Bernard, fresh judgments started to be passed down indicating the current presence of elegance, if not advancement. If Bernard’s function is ever regarded as in the second option category, it could need to be due to his impact on western golf swing, not really New Orleans jazz. The 1930 record “Hesitation Blues,” cut by Bernard with support from a music group that dares to contact itself the Goofus Five, is known as to anticipate the western golf swing style using its “white men playing on strings” school of thought. The record can be an intriguing mix of nation & traditional western and Chicago blues seems, the type of ethnic exchange that occurred naturally, the vacationing minstrel displays spreading musical designs backwards and forwards, handing off the original music of south as well as the Tin Skillet Alley songs from the big eastern metropolitan areas. Bernard was also a dynamic composer throughout his profession, more often than not dealing with co-writers and occasionally publishing his function beneath the pseudonym of John Bennett. One of is own best music, “Sibling Lowdown,” a family portrait of the eccentric road preacher, finished up obtaining acknowledged to Turk Murphy. He fared far better generally in most of his dealings on the brand new York music posting scene, starting up with clothes such as for example Triangle and manufacturer, songwriter, and publisher Joe Davis, who also offered Bernard with possibilities to record through the early rock and roll & roll period, a period when vaudeville and minstrel display recognition was at an all-time low, along with the rest that didn’t rock and roll. Bernard’s lyrics over time provide a prepared reason why this sort of material continues to be despised by some, actually if it pales in comparison to rap lyrics. “I Ain’t Scared of Nuthin’ Dat’s Alive” was categorized like a “personality coon music” and included the traditional line “I enjoy play with shavers.” A few of Bernard’s last and least objectionable recordings had been carried out in the middle-’40s, originally released on the double 78 Superstar set beneath the name of Al Bernard’s Merry Minstrel Display, but actually having a mix of two different rings, the Hometown Minstrel Band as well as the Sunflower Quartet. A more youthful bassist using the same name may also be confused using the older minstrel man, which is no question — they both result from New Orleans, plus they both documented with the initial Dixieland Jazz Music group, however the bassist obviously joined up with the long-running music group much down the road.